Polish Film Institute

Mismatched cousins David and Benji reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the pair's old tensions resurface against the backdrop of their family history.

Colombian girl, who studies law in France, arrives to Sarajevo in order to write a study about the War Crimes Tribunal. Unexpectedly she finds herself in the center of the intimate tragedy of her new friend, a native woman.

The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.

During part verité, part exposé road trip, director Pawel Gula proves there is no honor in killing. The film juxtaposes horrific news footage with insights from the families of victims whose lives have been irreparably altered and the killers who are still debating the consequences of their actions. Broader commentary is given by officials and activists fighting this horrific tradition.

A young woman becomes close with a mechanic who feels responsible for the death of her brother.

The animated short is a humorous fantasy, for which the starting point is a routine visit by a certain patient to the dentist.

To impress his beloved, Adam forms a punk rock band.

Doina, a 12-year-old girl, has her first period on the day her grandma has a stroke. Since then, their roles are inverted and Doina has to learn how to deal with the challenges of adulthood.

A uniquely constructed portrait of the Polish Colonel Ryszard Kuklinski, who provided the CIA with more than 40,000 strategic documents from the Warsaw Pact during the Cold War. Was he a traitor, or the savior of Poland? The Polish documentary filmmaker Dariusz Jablonski begins his story of the colonel in 2004, when he was supposed to interview him for the very first time. It turns out that Kuklinski has just died, and at the request of the colonel's wheelchair-bound wife, Jablonski agrees to take care of his ashes. He talks with a considerable number of closely involved ex-servicemen -- from the U.S. head of espionage General William E. Odom to the Warsaw Pact Commander-in-Chief Viktor Kulikov, the Polish General Wojciech Jaruzelski, and former Polish President Lech Walesa.

In a local sports center, a man with a great need to talk but little to say recounts a recent dream to a nearby colleague, with deeply confusing and unexpected results.

Marcel Lozinski was born in May 1940 in Paris, and he spent part of his childhood in various children’s homes. His Jewish communist parents were members of the resistance. After the war he went with his mother to Poland, where he became a celebrated documentary maker of some 20 films. Prompted by his son Pawel, also a renowned documentarian, the pair embark on a road trip from Warsaw to Paris. Father and son point the camera at each other and themselves and take stock of one another. In the end, the two men each made their own film about this journey.

A young woman, Anna, is getting ready to make her own movie. After a while, she discovers that she is just a heroine in the movie and nothing really depends on her. Rebellious against the author, she writes her own film, recreating the characters from scratch - but neither do her characters want to be heroes in someone else's film. The story of the heroine is intertwined with the story of a critic who "chased" writers all his life to finally find out that his efforts were pointless.

It's a story of a young woman from Warsaw - Iwona who has two children and works in a supermarket. He lives with his unemployed husband in a block of flats. They are always short of money - that causes many quarrels and destroys their relationship . One day Iwona receives a great offer from her old friend - Wojtek. He wants her to move to London and start a brand new life.

Arthur has a girlfriend, they train together in a boxing club, they are 18 years old and go to the same high school. One evening, Ewa confides in him about an affair she once had with an older man. This news has a strong influence on Arthur. During the next training session, he unloads his aggression on her, which starts a game of mutual provocation between them.

Maciek is no longer a boy, but has not yet become a man. He wants to satisfy the ambitions of his father, and - as everyone in the family - be a butcher. But he is too sensitive to make an animal suffer. The boy directs all his warm feelings towards an old, neglected orchard - the only memory of his mother - and discovers his supernatural abilities.

Bartholmus is the mayor of a medieval coastal city. He is not interested in governance, but he is very fond of people applauding him. One day he learns that all mayors from the surrounding towns have bought new clocks for the town hall. Bartholmus only has a small and ugly clock, so he calls the great sculptor Hans and his helper Friday to the city. Together, they create an unusual clock, the beauty of which turns out to be dangerous.

Basia has already settled down in her life. She is a housewife and has a loving family. It seems as though she does not miss anything to be happy. Until a moment when an opera diva moves into an apartment upstairs. Basia is enchanted and seduced with her voice. A peculiar relationship is born between them. It develops into a feeling which is not particularly comfortable for either of the two women.

The young students have their own magic world, hardly accessible for the others, the "normal" ones. By a subtle observation and without a spoken word we access their everyday life throughout the year.