Bali 1970
The wife of a European photographer on assignment in exotic Bali falls for an enigmatic ex patriot under the spell of a mystical death cult...
The wife of a European photographer on assignment in exotic Bali falls for an enigmatic ex patriot under the spell of a mystical death cult...
After returning from abroad, Amir is offered by his friends, Dahlan and Mariani, to start a school in a small village. To raise funds, they meet Johan, a millionaire. Johan has two daughters, Rohana and Itayati. Rohana, is attracted to Amir and this makes Mariani jealous. After Amir and Rohana are married, Johan is dissapointed by his son-in-law who has no talent in trade. Rohana is also jealous, as Amir is still in love with Mariani. In the end, his wife and his father-in-law both accept Amir.
Mr. Prawiro, a retired (district chief) assistant, lives in Kebumen village, his hometown. His eldest daughter, Indrani, marries Sumantri, a staff in “Bank Tabungan Pos”. In a meeting, Mr Prawiro suggests that the importance for saving money needs to be stressed.
Three sisters—Nunung, Nana and Nenny—are being raised by their grandmother in Jakarta after their mother's death. Though the sisters' father Sukandar lives with them, he is too involved in his own work to pay them heed.
Suro becomes obsessed with Ujung as a tool to take power over the village. His ambition stumbles when his daughter, Marni, falls in love with Kasan, an ordinary peasant from the same village.
The title “Hurricane and Storm”, is seemingly a translation from Sturm und Drang, a psychological term for puberty or a transition period for an individual's mental state. Kaslan is a conservative and honest bank clerk, while his wife, Miah, is more liberal in terms of discipline. Kaslan is strict with his daughters, Wati and Tina. It makes Wahab afraid to approach the girl of his dream, Wati, since Kaslan always escorts her wherever she goes. Wahab is also jealous by Wati's favourite English teacher and he tries to hang himself when she falls in love with a singer. When the singer rejects Wati, she returns to Wahab. Tina reveals all to her father but before he can scold her, she leaves the house, and returns home only much later. But mother explains about the puberty that Wati is going through. In turn, Wahab also learns to understand Kaslan's reason for his strictness. Then they both graduate from high school.
An impending visit from a VIP causes chaos and confusion in the small, isolated village of Sukaslamet. Things take a hilarious turn when the herbal medicine seller is mistaken for the exalted guest and is accorded a ceremonial welcome in the most elaborate Javanese style.
A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.
An Indonesian musical that comedically depicts of complex coming of age problems within a girl's dormitory, lead by Mrs. Siti.
Set in the 1930s, and narrated like a ballad from the past, "The Tiger from Tjampa" tells of how a young man, Lukman, seeks to avenge his father’s murder by learning pencak silat, a traditional form of self defence, based on the movements of animals.
Depicting the celebrated recapture of the town of Yogyakarta from Dutch forces in March 1949, by Indonesian youth of the resistance and members of the Indonesian army. Although it was held only for a few hours, it resulted in a UN resolution calling on the Dutch to leave.
Arman’s father denies his request for a toy gun, but his mother allows it. With that toy gun, Arman forms a squad called “Berani Mati” or “Ready to Die” with his friends, Hamdan and others. The security in the neighborhood is threatened by the mischief of Bang Hamid, and Arman and his squad, successfully prevent a burglary by him. The residents are proud to have such brave boys in the neighborhood.
During the revolution, Jaka takes refuge and entrusts his house to Husin. Husin then rents the house to someone else and Maryam has to face this bitter fact. She is visited by Danu and his wife Ratih, whom Danu likes to spoil, using state funds. He is arrested when his baby’s shower party is being held. Out of shock, his pregnant wife prematurely delivers the baby and loses a lot of blood. While the others are busy panicking, the cool and composed Ridwan donates his blood. This act of compassion attracts Ros’s attention and she falls in love with him.
Iskandar is a talented clarinet player who trains under an old musician named Sobari. He also has moral support from his girlfriend. But when he becomes successful, he forgets about Sobari, his friends and his girlfriend. Only when his career crumbles does Iskandar remember again his girlfriend and friends.
Devoted to the heroes who fought for their homeland’s freedom in the 1947 Indonesian war of liberation.
Parodying the TV police character Kojak, Leman, identifies himself with Kojak by his hat and lollipop, firmly stuck in his cheeks. He tries to help a woman by picking up a package that falls from her bag, and the package is filled with flour that he thinks is morphine. The woman turns out to be a flirtatious widow who wants to become a photo model. All the stories in the film are spoofs, and the suspected bandits reveal themselves as filmmakers.
This is the heroic story of Mochamad Toha, who successfully blew up a Dutch ammunition depot in Bandung and ruined their defences. Set in Bandung at the time of transition, between the departing Japanese and the incoming Dutch (who are supported by the British), Indonesians had to fight for their independence. Toha emerged as a leader of the common people, who saw injustice and oppression, and who sacrificed himself by blowing up the ammunition depot.
A rich man (Rendra Karno) comes to the Gelanggang Dagang to woo the pretty sales promotion girl (Baby Huwae). She already has a journalist boyfriend (Bambang Irawan), and when a female journalist/photographer (Rima Melati) comes onto the scene, the love triangle becomes a four-way street. The “humour” comes from the comedy trio of Bing Slamet, Mansyur Syah, and Ateng.
The film tells a story about a family with six children. The father is often angry with everyone except the eldest child (Mieke Wijaya). Then the family situation deteriorates further when mother falls ill and is hospitalized. Finally, problems are solved thanks to the calmness and charm of the third sibling (Indriati Iskak).
Irma a.k.a Ananda must struggle through the obstacle of her life for which she might or might not earns something better for her life.