Compañía Cinematográfica Mexicana

The discovery of a young woman murdered in her car triggers unrelated problems among a diverse group of people.

Marucha (Sarita Montiel) has had a shattered face since childhood, but she has a beautiful figure and covers half of her face with her hair. She is a singer and performs in neighborhood theaters. Marucha and Ramon are professionals in crime.

Rookie reporter and his publisher's daughter get caught up in a bizarre crime/traffic accident noir dilemma.

Widower wants to remarry, but his adult children are slow to warm to his new wife. One daughter in particular tries very hard to discredit her in his eyes.

Carlos, a former factory worker of humble origins, has made millions - but the upper class refuses to accept him as one of their own. Meanwhile, Barbara, the spoiled daughter of an industrialist, is to enter into a loveless marriage of convenience. Tensions arise when the two fall madly in love.

First all Mexican sound film. Story is based on the ancient customs and legends of the fisherfolk as they come into conflict with the exploitation of agents sent by "big business" from the cities.

Publicist on a movie set invents a romance between two stars, and then they start getting all mushy for real. But one of them's married, uh-oh.

On the Caribbean island of Martinique, two half-brothers are involved in the entanglements of a frivolous and calculating young woman.

This overlooked, if not almost forgotten romantic melodrama from Director Juan Jose Ortega, features a South American-born beauty named Lenora Amar, (whom the Mexican press quickly dubbed "The Brazilian Beauty"), in the title role. Although her acting career was rather short-lived because she chose to end it when she was just 27 years of age, her Zorina co-star and then-husband, Luis Aldas, (starring as" Bardo" in this film), seem to still have made an impact on movie audiences due to some favorable news publicity and the relative success of the handful of films the pair made.