Hungarian Filmproduction

On the novel by Mór Jókai. The first half of the XVIII century. Several decades of life of a noble family Karpati.

PFC Molnár decides his WWII services are over, and with serious money hidden in his hand grenades, he heads to an abandoned mansion where he encounters not only the sour butler but a bunch of others who also try to wimp out of their duties.

Vörös Hajnal (Red Dawn), a co-operative is the venue of skylarking, while the storm destroys the wheat which is to be harvested soon. Árendás, a middle-peasant, voices severe accusations against members of the co-operative: out of negligence, they failed to keep the ditches clean. It is always the soft option they seem to favour, while the necessity of properly taking care of the farmlands is long-forgotten. Members of the co-operative and the village people are deeply divided.

The man is promoted and given a new assignment at his work-place. At home, he stares at a video-cassette: it portrays his wife's face in countless versions, she is sometimes simply beautiful, then unfathomable, but it is mostly a sad, closed, lonely face.

Summertime. No school. A young boy is left alone with all the duties of a grown-up while his friends are out playing.

In 1905 Hungary, a young village woman has just undergone a marriage to the spoiled son of a man to whom her father is indebted, in order that the debt be cancelled, only to be spirited away by her true love, a young peasant, by whom she soon becomes pregnant. Together they attempt to find a way to buy up her father's debt and also pay for a divorce from her husband, against various odds.

A country family unbounds by the death of the head of family and they set off for a miners' town under construction, just like their forefathers, "to take the land". As an outpost, the eldest daughter, Anna is sent, who has a stormy past.