At a gas station in the middle of nowhere, a young man arrives to meet his father he hasn't seen for 30 years. On the same day, a van with four prostitutes breaks down at the very same gas station, on the way to Switzerland. The three days they spend together in the station change their lives forever.
An old woman flies past six floors after jumping from the roof of her apartment block. Six stories on the poor state of humanity, told with humour and rare imagination to the accompaniment of a pulsating soundtrack from Amon Tobin. A woeful burlesque set in the present by one of Europe’s most original contemporary filmmakers.
A heavily neurotic young man starts to see his father's ghost, and while he helps the spirit cross to the otherworld, something happens that they could never achieve in their common life: they finally understand each other.
Ten-year-old Palkó has just moved home to Budapest from Berlin and observes the daily life of an ordinary Hungarian elementary school with confused amazement. Juci, the young teacher just started working there. She is the only one who understands Palkó, as in their own way, they are both suffering from the same, sometimes grotesque educational system.
Galia, a young 27 year old woman injured in the bombing of a bus in Jerusalem, will start searching for the man who saved her life. A journey that will reveal to her an unsuspected truth.
Based on the Hungarian novel "Our Street" by Sandor Tar, the film deals with a post-apocalyptic Hungarian-Ukranian village where everything is rotten, planes randomly crash, and only alcohol moves people around - no money, no electricity, only barter. In this wasteland, Ocsenas is the only hero, the one trying to survive amidst the savages and war, the one who helps everyone out, all while caught up in a love triangle that will define his future.
In 1957 the Soviet Union decides to give Hungary the chance to choose the world's first cosmonaut, who can be the very first person in space. It seems like the best candidate is Lajkó, the gypsy spraying pilot.
When a runaway prisoner’s taste for power wipes out his mission to lead his fellow inmates to freedom, their path to a much-desired liberation steers them to a new kind of oppression. Zenith uses dance language to illustrate the power dynamics that have shaped the political landscape in recent decades, not only in Europe but also around the world.
A mother with an affection to air-refreshers, a daughter looking down on her mothers job.
Zsuzsa, a furniture shop assistant, escapes into her daily routine to avoid her monotonous life without human connections. One day something happens that makes her question her choices and reminds her that she is the one responsible for her own happiness.
Piroska is an overweight, alienated nurse who can’t resist cream-filled pastries. She works in the terminal ward of a hospital; her life is surrounded by death. One day she sets off to find her long-lost childhood friend. While tracing her recollections, she embarks on a paradox-filled voyage within her own memory and the memory of those she encounters.
Andor Czettl, in his early sixties, visits the secret service archives one day to read into the reports about himself and discovers a shocking fact. His very best friend János Pásztor was an informer, spying on him and writing reports about him for decades. Sára Cserhalmi's first feature focuses not so much on the actual problem of informing and betrayal as on the contradictory relationship of the two protagonists. It avoids any final judgments. First and foremost, it seeks answers to questions like how an informer can live in our present times and how the one being reported on can cope with this state. Can a close friendship that began decades ago last if such betrayal comes to light? How can someone live and cope with this fact?
Reni and Laci do not want to go home, they prefer to wander the streets of Kőbánya. Here everything is temporary, like a stolen bike or like this night.
OUT is an odyssey about 50 year old family man Agoston wandering through East Europe. After loosing his lifelong job in a power plant of small Slovak village Agoston takes the shady but alluring opportunity to work as a welder in a shipyard in Latvia. The journey in hopes of a new job in reality turns into a accelerating whirlwind of absurd events of short encounters, newly found-and-lost-again friendships subtracting from Agoston all his possessions and everything he once believed to be his whole life. However Agoston doesn't give up his search for income and decides to persuade his dream of catching a big sea fish.
Late at night, Istvan becomes the only witness to an accident on the road, but an influential person wants to make him forget what he saw. Will he be able to protect himself and his own family and at the same time remain human?
While trying to escape from her abusive boyfriend, Ágnes comes across a bridge where a stranger’s life is at risk. As their struggle becomes a spectacle for passers-by, she tries to find courage and stand up for two lives. A story about indifference based on real events.
A coming-of-age story set in the contemporary Hungarian countryside, where teenage soloist Dávid decides to stand up for Nóri, 13, a cellist in their youth orchestra who is having a suspiciously close relationship with their 60-year-old conductor. While looking for the truth, Dávid's life soon starts to spiral out of control as he faces tough decisions and the adult society's negligence.
Set in the 1970s, this drama is about a seamstress named Éva who undergoes an abortion. She comes to notice that her hands are constantly blackened, even though she washes them. (Her guilt is projected onto herself.) Eve will do anything to remove the dirt from her hands, but finally, she gets into a washing machine and washes herself, transporting herself to another world where she must face her guilt and finally be able to forgive herself.
In the late '90s Balazs's family is falling apart front of his brand new VHS camera he got for his 8th birthday.
