Juris Podnieks Studio

A headstrong young woman is married to land baron. Her feelings for her son's tutor becomes a complex web of unrequited love.

Film takes us deep inside the world of Latvian teenagers in 90s: combining the intimate diary of a teenager Jānis trying to find himself by joining a subculture, as well as a skillful, detailed and almost documentary-like depiction of the beginnings of the second independence of Latvia. “Jelgava ’94” is a portrait of a generation in the 1990s who are searching for their own identity and are fans of alternative culture. This is a touching story about us as youngsters, when everybody is against the whole world and tries not to become “one of them”. But can one keep the promise? The story is based on the best seller by Jānis Joņevs set in the 1994 in the Latvian city of Jelgava.

Imants Veide is writing a script about con artists and their schemes. Together with his friend Harijs Kuharjonoks he's trying them out for real for greater authenticity, but gets too entangled in real criminal schemes. More and more colorful characters appear on the horizon, but Imant's main adversary on the road to criminal excellency is his Neighbour, a true iron lady with balls bigger than all those involved combined.

An ordinary day turns into an adventure and becomes an extraordinary day.

A film about the outstanding Latvian film director Juris Podnieks, who during his lifetime gained the fame of a fighter for justice and an "eye-opener". Podnieks has created testimonies about the most important events of the twentieth century in the post-Soviet territory. He always saw a bigger picture, it was not just Latvia what interested him. His ability to cover such a wide spectrum of themes - wars, lost freedom of his own country, the Soviet regime and its collapse, young people, artists. But most importantly, he was always focusing on the human soul. Juris creates an emotional bond between the author and his characters, the characters and the viewer - he was talking to each individual. Perhaps this is why his films made such an effect on the viewer. Juris Podnieks has clearly been able to influence millions of viewers with his films. Juris himself died in the summer of 1992 in a diving accident. Did he manage to fulfill his mission in this life?

Vyacheslavs Kashcheyevs is a man who feels the world with each single one of his atoms and breaks the stereotype about physics as a dry and impersonal field of science. In parallel to splitting electrons in the laboratory, he seeks a connection to the Almighty, and is a dreamer, an exceptional scientist, family man and educator, socially active and civically minded. What allows him, unlike most of us, to be so harmonious and seemingly omniscient? Together with quantum physicist, theological authority and Latvian patriot Vyacheslav Kashcheyev, the film searches for the code to modern-day life.

The existence of two parallel communities – one Latvian, the other Russian, is the reality of present day Latvia. After the establishment of an independent Latvian Republic in 1991, the Russian speaking community began to see themselves as a threatened minority and started to depict themselves as oppressed. Where does the truth lie? Are there victims? Or is it simply that the idea of integration, for both sides, does not work properly?

A film about the attack on the Ministry of Internal Affairs in 1991 when Latvia was regaining its independence from the Soviet Union. Several people were killed in the attack, including two cameramen, Andris Slapiņš and Gvido Zvaigzne, who were part of Juris Podnieks's team. Who was behind the attack, and why has this matter not been solved yet?

A father who has just been released from prison strives to reconnect with his son. Good intentions are hindered by unexpected obstacles. An unforgettable day spent by the two together might turn into the very last day for one of them.

Today they've become almost mythical, but in 1991 the Barricades were a reality of a national revival. The will of the three Baltic countries - Latvia, Estonia and Lithuania, showed that they were sovereign nation asking to accept their rights. What was this phenomenon? Was it a romantic ardency, destiny, conjunction, or God’s gift? Politicians, journalists and guardians of the Barricades discuss this topic in the film.

“Under the Upturned Moon” is a documentary that tells an outstandingly gripping story of two journalists investigating the depths of Islamic community in a country as small and seemingly insignificant as Latvia.

Imagine centuries ago several witches huddled around a steaming cauldron, gleefully consigning offensive items to the foul-smelling brew. Maggots, worms, snails – who knows what else? Perhaps unbelievable, but it did help. This is a story about people who practice their own way of feeling fit and happy. A hunter is convinced that beaver glands offer a unique remedy against various ailments. Herbal teas, picked at the right time, can perform miracles! Many shrink away from bees, but bees can bring relief. All good and simple things, forgotten in the rush of the 21st century.

The film is an emotional story about fateful historical events in the 20th century, which took place in three Baltic countries- Latvia, Lithuania and Estonia. The story is also about their efforts to gain independence.

At the end of World War II, many Latvians, Lithuanians, and Estonians fled the Soviet rule. They stayed abroad for many years. Now, after the regaining of independence of the three Baltic states, they are coming back. Their stories vary.

Folded, rewritten, thrown away, wrinkled, crossed out, stuffed in a pocket, handed to the book keeper, only to find out later that it was the wrong one; then written down, torn out, worn out, sometimes crumpled up, with morning coffee stains. The film’s protagonist walks around the pulp mill with jagged movements, performing his duties. “I doubt we’ll meet again. I really do,” he repeats to himself, addressing the void.

Sometimes we got lost. And then we have to be found again, so that no one is sad.

For 91-year-old Ruta acting is not just a career: it is her lifestyle. Once again, she starts working on a new role. This time the theme of the play provokes questions about her own life: how does one deal with ageing? And, most importantly, - is there a specific time when an actress should leave the stage?

A documentary about the band of Latvian exhile musicians, "Čikāgas piecīši".

Artis Baranovskis is a "registrator". He helps his clients by setting up fake companies. An hour before leaving to his own wedding, Artis has to find Jana, who's a fake shareholder of a company with a million euros on its account. Once she's found and her looks changed to those of a rich lady, Jana realizes her power and starts to play her own game. "Right Hand Man" is a crime comedy about money, accounts and troublesome thieves.