Bruno’s (18) life is increasingly limited by the growing dependence of his grandmother Natividad (86), the only family he has ever known. When the opportunity to take her to a nursing home arises, both will have to deal with a decision they had not allowed themselves to consider before.
At a party in Barcelona, Helena hopes to meet an old lover from who she is still in love. While the night moves forwards, her initial sensuality becomes disdain.
It's summer. Three friends meet. They will spend a few days in the mountains, camping, walking, chatting. As the days go by, so do their relationships, their misgivings, their affections. And when they return, nothing will be the same.
Mila, an eleven-year-old girl, faces her last days of life before the end of the world. At the same time, she struggles to understand what this means and to keep her family together by holding a party for the final moment.
Summer camp. Èlia and Nil kiss for the first time. They are the first campers, from all boys and girls, to ever kiss. Suddenly, the camp fills with an atmosphere of curiosity, discovery and enthusiasm.
As the town says goodbye to summer with their Festa Major, all the villagers fill the dance floor. The last to leave are a group of young people who, in the early morning, will exchange their cocktails for coffees while they decide they won’t go to sleep. At the same time, a mailman arrives at Custodio’s house and delivers something he was no longer expecting: a coffin for his wife, who was buried three months ago. On their last day of summer, three dead tired friends, Rita, Clara and Pau, wander around the village expecting something, but without knowing what it is.
Three college students start a social experiment to prove that reality changes according to the words we use to describe it. Through research, activist actions, and artistic interventions, they analyze the importance of language in the way we understand the world. The documentary includes analysis from more than 20 international experts and leaders in the fields of political communication and information.
Jana, a girl suffering from depression, escapes to her grandmother's country house in a desperate impulse to escape from her increasingly destructive thoughts. She is searching for the warmth emanating from her grandmother Helena and the home that saw her grow up between summers and holidays, but nothing tears her away from her unease. The forest that surrounds the house further immerses Jana in her loneliness, taking her to the limits of her own darkness.
Mireia and Gala are at their grandmother's masia when they find a Spanish Civil War bomb in the forest. The discovery disrupts the relationship between them, making the girls understand that nothing in the world is eternal and that everything has an end.
Mariona realizes the distance formed between her and her friends when they go on an excursion together to the river pool they used to visit when they were kids.
Two girls work at a spa helping old people. They help them going in and geting out of the swimming pool, they fill them with unguent... But the aged bodies generate a weird resistance when they leave the water.
Luna runs away from home in the middle of the night. In an unexpected encounter with a group of drag queens, she redefines her concept of family.
After receiving it as part of her inheritance, Ana decides to move into her painter grandfather's house with her partner, Lucas. In one of the rooms, they find an unfinished triptych that will make them go deep into a paranoid artistic process.
A documentary that invites the viewer to immerse themselves in a intimate and thoughtful walk through Poblenou Cemetery in Barcelona, better know as "El Santet", to see what is happening at its surrounding areas and, especially, inside: work, buildings, people watching over those who are no longer here, cemetery workers... A trip through a space that is closer than we think.
"Caracremada" ("Burnface" in Catalan), a nickname given by the Spanish Civil Guard to Ramon Vila Capdevila, reflects about the libertarian resistance against Franco's regime through the last active guerrilla fighter. In 1951 the CNT ordered the retreat of its militants; however Ramon Vila remained in the woods of inland Catalonia where he restarted the fight operating on his own.
A young Spanish exchange student who is on her own for the first time in her life tries to adjust to a vastly different life in Berlin.
Agatha has just started University, but she still sees her old school friends, sharing parties, private secrets, trips, jokes and debates. A private world full of memories that she will now have to measure against her new college friends and the changes that she’s begun to discover in herself. The film Agatha’s Friends is the portrait of a group of 20-year-old girls during their first year at University as seen through Agatha’s eyes. From their lives in Barcelona to a trip up the coast to the Costa Brava, where Agatha will feel how the world she built with her childhood friends Carla, Ari and Mar, has begun to change.
Paula, a thirteen year old girl, starts to experience certain complications in the relationships with her family and friends. In order to be with her ill grandmother, which she barely knows, she spends the summer in Ojos Negros. There she will meet Alicia, a girl her age, who also stays in town for the summer. Together they will venture into the adult world through a stifling summer that never ends.
Roc's father kills himself less than a year after meeting him. Dragging his friend Jordi, they cross the country by car to go to the burial. In an absolute intoxicated state, they sare the path broken by the circumstances that surround the suicide of his father.
Minutes before leaving the floor that they have shared for years and ending their relationship, Gala and Marçal try to confront all those feelings that they have never been able to express.
