Fine Arts Film Company

In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of this mixed ethnicity - his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nelli for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves.

A teenage orphan (who believes herself to be "hoodooed") is taken in by a childless couple and quickly falls for the boy next door; Her luck seems to have changed. But the idyll is broken up after a trip to the movies-- It seems the 'hoodoo' has returned after she tries to replicate what she'd seen on the screen.

Gerald, the somewhat frail son of a wealthy New York family, is bested at the beach by Bill, a strapping young cowboy from Arizona. His fiancée Mary, ashamed of Gerald's "yellow streak", leaves him and goes by train to visit some friends in Arizona, with Bill in tow. Gerald follows them, and before long he and Mary winds up captured by Yaqui Indians and Gerald must prove to Mary that he is not the "weakling" she thinks he is by coming up with a plan for them to escape their captors.

Based on Henrik Ibsen's play from 1877.

An outlaw calling himself Passin' Through halts his "evil" ways long enough to help out some children in difficulty.

A young couple attempts to elope, with the bride's irate father in hot pursuit. The train stops briefly and the young man dashes off to find a minister, but before he can get himself and the minister onto the train, it leaves, carrying his bride-to- be away. Now the young man, minister in tow, pursues his bride while her father and a horde of lawmen pursue them both.

Betsy Harlow is a hard-working maid in a boarding house. Her dream. however, is to be a detective, a dream she shares with her boyfriend Oscar, a delivery boy for a local grocer. One day a mysterious character named Harry Brent takes a room at the boarding house. Harry, seeing that Betsy is falling for his rather shady charms, persuades her to help him get a box of jewels owned by the Jaspers, an elderly couple who lives across the hall. It turns out that Harry is not quite who he seems; neither, however, are the Jaspers.

A 1916 film directed by Lloyd Ingraham.

Nina, a blind girl, lives with her grandmother, who has taught her to make artificial flowers, which she sells at a flower-stand. Nina, and Jimmie, a crippled newsboy who sells papers on the same corner, are sweethearts. Nina's grandmother dies, and she turns to Jimmie. One day Jimmie has a fight with another newsboy, whom he thinks is hanging about Nina's stand too much, and the other boy is soon begging for mercy. Miss Fifi Chandler, an artist, happens to be passing, and becoming interested, she accompanies Nina and Jimmie to their rooms, and is surprised to find that Jimmie is an artist, having made a beautiful plaster cast of Nina. Fifi brings Jimmie and his protégé to the notice of her fellow artist, Fred Townsend, who falls in love with Nina.

A 1917 film directed by Paul Powell.

A young woman and her five little brothers and sisters are left orphans by the murder of their father over gold found on his ranch. Together the seven offspring fight against their greedy neighbors to keep what is rightfully theirs.

Produced at the Reliance studio in Yonkers, New York, HIS PICTURE IN THE PAPERS solidly established Fairbanks as the American ideal of pop, vim, and vigor. Furthermore, the film brought him together with the two collaborators who were to play a profound role in the evolution of his screen persona: writer Anita Loos and her future husband, director John Emerson. The theme was, according to Emerson and Loos, "the great American love of publicity."

A young girl, Rose Eastmen lives with her lazy Uncle, who works as a janitor in a publishing house. Lacking education, both Rose and her Uncle are susceptible to the socialist ideas of writer Rudolph Creig. One day Rose encounters Jack Steven's the wealthy son of the publishing house, working on his car. She believes he is a common laborer, and begins seeing him. Through her exposure to Jack, Rose begins to realize the rich are not such an abominable people. Rudolph has also reached this conclusion after learning Steven's has published his book. Now with a hefty royalty check and success, Rudolph is able to marry Rose.

A bandit reforms himself and gives up his baby into better hands. Years later, he attempts to reunite with his daughter without revealing who he is.

A 1917 film directed by Arthur Rosson.

When Dorothy's Southern, aristocratic father Colonel Raleigh refuses to let her marry Forbes Stewart, a Northern gambler, the couple elopes. When Dorothy soon thereafter becomes pregnant, Forbes vows to reform, but authorities arrest him on a gambling charge, and he serves a year in prison. During that time, and just before the birth of the baby, a woman comes to Dorothy and claims to be Forbes' wife. Stunned, Dorothy returns to her father, but the colonel throws her out, and so, on her own, she has her baby, whom the community believes to be illegitimate. Convinced that she has sinned, Dorothy is about to kill herself when Forbes, just out of jail, finds her and explains that the other woman simply had been an ex-sweetheart trying to win him back.

The story of the defense of the mission-turned-fortress by 185 Texans against an overwhelming Mexican army in 1836.

Karl Heinrich is the heir to the throne of the small European principality of Rutania, but he's a lonely child, not allowed to play with other children and knowing little about life outside the castle. When he reaches maturity, he is sent to attend the University of Heidelberg, and finds fellowshi with classmates and a blossoming love with Katie Ruder, his only friend during childhood and the niece of an innkeeper. However, political turmoil in Rutania forces him to return. War is declared. Heinrich returns to Heidelberg one last time to bid a somber farewell to his beloved Katie.

Railroad president, John Houston, along with his daughter Marjorie and his fiancee, Elinor Craig, are aboard the express train when it is held up by a gang of outlaws. Outlaw Dan Tracy, is attracted to Marjorie, who, filled with dreams of romance, returns his interest. They exchange rings and later meet secretly in the city. When Houston learns that his daughter's new suitor is an outlaw, he hires a detective to investigate. The investigation indicates that Tracy is Houston's son by a former marriage, and Houston, mortified, allows the outlaw to escape. Tracy then persuades Marjorie to elope with him and takes her to his shack in the hills where she is rudely awakened to the realities of outlaw life. Houston arrives to save his daughter, and after Tracy is killed by Rosanne, the woman he betrayed, it is revealed that Tracy was not his son but an offspring of his former wife and an outlaw. A lost film.

To the dismay of Allison Edwards, her bookworm, adoring neighbor, Mary Randolph, falls in love with and marries Jack Van Norman, a rich and handsome former football star. After a few months of marital contentment, Jack becomes infatuated with Rose, an exotic dancer.