Fomento al Cine Mexicano (FOCINE)

A horror story that intertwines four tales on a fishing island in Lake Pátzcuaro, Michoacán, where an evil lake spirit haunts the inhabitants, casting a dark shadow over their lives.

In mid-90s Mexico City, five young siblings are left in the care of their grandmother after their parents suddenly disappear. As they fight to survive, the line between reality and something darker starts to blur. The grandmother, haunted by eerie visions and deepening fears, becomes more distant, while the children’s grip on reality begins to unravel. After a clash with their neighbors, the siblings withdraw even further into isolation, cutting themselves off from the outside world.

Fabiola, 38 weeks pregnant, is leading her U16 boys' basketball team in the Mexico City finals. As the game heats up, her water breaks, leaving everyone wondering what will happen next.

Socorro is a lawyer obsessed with finding the soldier who killed her brother during the 1968 student massacre in Mexico. Fifty years later, she receives the clue that leads her to set up an absurd plan of revenge, putting her heritage, her family, and even her life at risk.

Luz de Luna became a truck driver to escape a violent marriage. On the road, she faces labor exploitation and various forms of violence that often make her question her path. Alongside her, other truck drivers seek comfort and strength at rest stops and makeshift diners along the Mexican highways, all striving to keep moving forward.

A graffiti artist and a punk band singer meet amidst a profound social crisis. With revolutionary and idealistic visions for a fairer world, they bond over music and street art, using them as their weapons. Innocent and determined, they demand justice, but their defiance attracts the wrath of three corrupt policemen. After beating him and kidnapping her, they ignite the unimaginable fury of someone who has nothing left to lose.

During the summer, thirteen-year-old Sofia moves to the country house, where her cousin Cristina is waiting for her to spend the vacations. During these days of games and discoveries, the two will be immersed in a love triangle with a man almost twenty years older. Its outcome will mark the passage from puberty to adolescence for both of them.

In the almost deserted town of La Raya, a mysterious refrigerator appears out of nowhere. Sotera Santos and her friend Eric see an opportunity to make a fortune by selling it. However, the fridge soon starts unveiling strange and enigmatic phenomena to those who approach it. As Sotera grapples with these unsettling occurrences, she must also face the painful reality that her mother might not return to take her to the United States, and that perhaps her departure from La Raya is not yet meant to be.

Dalia (42), discovers that her husband has vanished without a trace. As her life and her job as a subway driver begin to collapse; the violent indifference of her environment engulfs her in a dark tunnel that seems to lead nowhere.

A story about aging, motherhood and life. About looking back and not understanding how you got to where you are, about wounds so deep that all the energy is spent on not wanting to see them. An intimate drama where, through fiction, the director delves into the wounds of his own family.

The teacher of this second grade classroom, Celeste, has been transferred to another school and has a few days to spend with the elementary school students who started with her. Together they live the month of September, full of movement, changes in direction and revelations, in the endearing intimacy of a classroom in a small town in Jalisco, Mexico.

Set of stories of couples who sign either their love or death sentence. Intimate, specific and diverse situations that give a panorama of the vast terrain of love relationships. Life is not the opposite of death, but rather its intermediate point. The opposite of death is love, because that is where the human being is more alive than ever.

Ana is forced to revisit her past to find the root of her fears in order to help her daughter Chiara transition into her new male identity.

October 2nd, 1968. Ana witnesses the cold blood killing of Fernanda, her best friend, by an undercover soldier. After surviving the shooting she decides to avenge her friend. Everything unfolds between imaginary time leaps between 1968 and the current era.

Few know José Ignacio Solórzano—a balding man with everyday troubles like money and marriage. But everyone knows Jis, the beloved cartoonist whose humor and art have left a mark on the country. Mollusk tells the story of both, exploring how creativity and laughter can help overcome life’s challenges.

Letters from a distance documents a communication exercise thought out by healthcare workers from a public hospital in Mexico City to help with the distance between COVID-19 patients and their family members through letters, that eventually turn into video messages or photographs during the peak of the pandemic giving people hope and certainty. It is also a voyage through the lives of mexican families who faced the most painful pandemic, due to their social, economic and political contexts while being moved by hope and love.

Manuel is desperate to save his wife from death. A mysterious man appears to him one day at church, convincing him to go to a Healer who can help her.

Daughters resemble their mothers. That is their curse.

At 75 years old, Ricardo has problems balancing his job as a janitor at an elementary school and the care his wife requires in a wheelchair. Since it is impossible for him to survive on the pension he would receive, he must continue working and the conflict with a student will end up causing him to lose everything.

Valeria lives trapped under her mother's control and the routine of her job at a court in Mexico City. Her life changes radically when she meets Tania, who will lead her to challenge her mother's authority and the injustices surrounding her.