KinoElektron

Rokas and Inga, a couple of young Lithuanians, volunteer to drive a cargo van of humanitarian aid to Ukraine. They cross the vast snowy lands of the Donbass region, drifting into the lives of those affected by the war.

In a remote village in Costa Rica, Clara, a withdrawn 40-year-old woman, experiences a sexual and mystical awakening as she begins a journey to free herself from the repressive religious and social conventions which have dominated her life.

Belgrade, 1996. During the student demonstrations against the Milosevic regime, 15-year-old Stefan leads his own revolution in the heat of events: accepting the unacceptable, seeing his mother as an accomplice in the crime and finding, despite the love he feels for her, the strength to confront her.

In this bittersweet family comedy, shy teenager Libby moves back to Israel to live with her hapless father Shaul, unexpectedly finding herself without a home as war breaks out around them. Shaul devises a creative solution: posing as refugees, they are taken in by a wealthy family in Jerusalem. Finally in a “normal” household, Shaul and Libby begin to build their father-daughter relationship, but their false identities can’t last forever.

On a summer day, a man, his daughter and his companion arrive at their country house to spend the weekend. The daughter has just moved in with her father, whose attention she desires. The man is tired of his life, and does not know where to find the strength to carry on living. The woman, a violinist, is confused in her priorities - music, love or career. Despite the fact that the man and the woman love each other, their tense relationship is on the brink of collapse.

Lithuania, 1948. War is over, but the country is left in ruins. 19-year-old Untė is a member of the Partisan movement resisting Soviet occupation. They do not fight on equal terms, but this desperate struggle will determine the future of the whole population. At the age of discovery of life, Untė discovers violence and treachery. The lines are blurred between the burning passion of his youth and the cause for which he is fighting. He will invest himself wholeheartedly, even if it means losing his innocence…

11-year-old Misha is coming from Russia to Athens during the 2004 Olympic Games to live with his mother. He does not know there is a father waiting for him.

Peter and Martina are a tourist couple on a vacation on the Croatian coast. Both are successful and in their prime. However, the couple is going through a crisis. Both are frustrated and unsatisfied with their lives. They hope this vacation will help save their relationship. They both hope that this, long expected vacation will improve their relationship. They go on a mountain trip, and they get lost. Far from their usual comfort, confronted with the raw nature, they are left with no other option but to face one another...

A confessional meditation on the relation between water and land, between light and dark, between past and present, between the living and the inanimate, dreams and achievements.

A Western-like documentary set in a remote rural region in Lesotho: a frontier space where the ways of modern society are of little, if any, value. The arrival of economic migrants from China has irrevocably upset the balance of power, as old laws and ancient gods are doddering away. Subtle moments and small gestures reveal the trauma of expatriation, the burden of personal sacrifice, solitude and alienation, as well as the painful experience of otherness. As old structures begin to disintegrate and violence is about to erupt, one rule asserts itself above all others: eat or be eaten.

Merowe Dam in North Sudan. Maher works in a traditional brickyard fed by the waters of the Nile. Every evening, he secretly wanders off into the desert to erect a mysterious construction made of mud. Despite a disturbing wound in his lower back that seems to be eating away at his skin, he continues his labor day after day. While the Sudanese people rise to claim their freedom, his mud creation starts slowly to take a life of its own.

After their son has been beaten up in the street, parents find their world of false security collapsing and have to re-examine their lives and question everything into what they believed.

When her mother dies, 40-year-old Helena now has time for herself after years of taking care of her family. She works at a film production company, dances boisterously, gets drunk. A quiet film about letting go morphs into a coming of middle age story.

A visceral non-fiction portrait of hope and sacrifice in a time of global economic turmoil, filmed between a large-scale underground mine in post-war Serbia and an illegal mining collective in the tropical heat of Suriname.

In cities like Paris there are countless people from Eastern Europe who have forsaken their homelands because they can see no future there. Lucia and her little daughter Marussia are two such people. They have been thrown out by the Russian acquaintances they were staying with and must tramp the streets with their trolley suitcases searching for somewhere else to live. A Russian Orthodox priest offers them their first night's shelter. They spend the second night in a homeless hostel and party through the third with a chance acquaintance. On the fourth night they sleep clandestinely in a cinema and on the fifth with a Russian artist in a hotel … Lucia is good-looking, dresses elegantly and is certainly not shy of men. This serves the mother and her daughter well. In spite of all the uncertainties in their lives, the two frequently share tender moments.

Upon hearing her beloved grandmother is dying, a young woman returns to rural Lithuania, where she must confront a past she’s tried to forget. Sharunas Bartas unflinchingly examines family fractures, capturing unspoken tensions and simmering resentments within a rural household isolated by geography and emotional distance.

Castuera, Spain, April 1939. During the night two Falangist Guards appear at the door of the house where Paz is taking refuge with her family. They request her presence at the police station. Paz immediately understands the fatality of this visit. With no chance to escape, she asks to breastfeed her newborn daughter one last time.