The Armored Vault

The Armored Vault 1926

1

Directed by Lupu Pick, who died far too young, it was billed as a melodrama about a ring of counterfeiters on its first screening in New York City. Pick plays with the already well-established conventions of the detective genre for maximum effect and humor.

1926

Shattered

Shattered 1921

5.50

Shattered is about the everyday lives of a railway trackman, his wife and daughter in a remote, isolated house in a winter landscape, Mayer and Pick introduce increasingly stronger disturbances into their daily routines.

1921

New Year's Eve

New Year's Eve 1924

5.60

A man must choose between his mother and his wife as the rivalry ratchets up throughout New Year's Eve. Like Pick's previous films, New Year's Eve does not use intertitles.

1924

Nights of Terror

Nights of Terror 1921

6.00

The young Evelyne lives with a man, her fiancee Frank, with whom she has a child. But her fiancee is a rundown drunk constantly hanging over the bottle. Evelyne wants to leave Frank.

1921

The House Without Laughter

The House Without Laughter 1923

1

Orphan Enid White becomes the ward of a cruel man. She gets close to her guardian's wife and also to his son, who secretly comes to visit when his father is not around. One evening Enid is whipped by the patriarch, and hours later he is found dead. An investigation follows.

1923

Silhouettes

Silhouettes 1936

5.70

The confrontation between two women - a choreographer of a successful troupe and a prima ballerina. Stung by the news of her upcoming dismissal, the prima begins to scheme..

1936

Kill No More!

Kill No More! 1919

1

The director and co-writer Lupu Pick plays musician Erik Paulsson, who loses his beloved son after a peaceful yet critical poetry reading is raided by the tsarist forces. Paulsson, beside himself with grief, kills the officer responsible and is sentenced to life, which will mean 18 years in prison before he is free again. While he is inside, by a strange quirk of fate, his daughter Karin falls in love with writer Sebald Brückner, the son of the state prosecutor, who indicted Paulsson and is a staunch advocate of the death penalty. The conflict between the fathers does not impair the relationship of the young couple. However, when Sebald’s long-desired success on the stage is threatened by a vengeful theatre director who had sexually harassed Karin, he is enraged and kills the other man in a fight. The prosecutor now must face the blow of losing his own son to the death penalty.

1919