Budapest Filmstúdió

In 1944 Budapest, one of a group of four friends poses a hypothetical moral question to the others, an act that will unexpectedly alter their lives forever.

This story follows a young student, who is orphaned as she grows to adulthood in the shadow of the 1956 Hungarian uprising. Coming from the Communist intelligentsia, she sees her friends and family react differently. Her lover, a married factory manager, supports the patriots and later assists fellow workers in staging a strike. Meanwhile her sister and others express anger at being forced from their homes during the revolution and continue to express a hatred for the rebels afterwards. But in the end they realize that for all people, real life is not possible after the revolt and its brutal suppression by the Soviets and their collaborators.

Áron is a happy child in his family. But at some point things take a different turn, and his mother starts to lose her health rapidly. As this happens, the man in charge decides what's best for Áron without consulting the young boy's opinion, and the boy finds himself thrown out of his warm home into an orphanage in the woods. He's utterly displeased by what's happening, without knowing he has yet to face much worse...

In the dense and murky woodlands of provincial Hungary, the search for a child murderer drags a once-respected detective into an all-consuming obsession enshrouded by irresolution and despair, even long after he has been taken off the case. What emerges is not a crime story, but a harrowing venture through the darkness of the human soul.

The subject-matter of this comedy is age-old: that of the schizophrenic soul. Papa would have liked boy twins years ago, but her wife gave birth to a single child weighing six kilograms. He would like to dampen his feeling of emptiness by having the boy registered both as Péter and Pál.

A woman and her lover plot to kill her older husband.

Two arts students, András and Viktor who are writing their thesis on detective stories, make up a story and keep nagging the famous film-director, who just came back from Hollywood, until he undertakes the job. At night they work on the film, in which two youths kill a director returning from the US. In the morning the director is found dead - a knife in his back.

When hunting, Zrínyi Miklós finds an Angel with a broken wing. He takes him for a heavenly message and carries him to his castle for cure. Lords and priests come to Zrínyi's court, one after the other, to see Angel. The occasion is appropriate for the ban to win them over to his plan: they should unite their forces to fight for the country's independence.

János is present at one of Tamás's concerts in the country. After the concert, he takes Tamás's son home in his car, while the couple worry about their son's whereabouts. Later they meet again. Once they played together and were good friends, but János left the band and they had to find a new pianist. The new pianist, Zsuzsa, also meets János. The two of them go to see the amateur film made of the one-time band.

The scene of the story taking place in the 18th century is an inn, which is advertised by its owners for sale. The inn was namely the scene for mysterious disappearances and murders, but the result of all these events, the treasury is hidden and guarded by the mother. Everybody want to get it from her during one night: the inn-keeper couple, the fake couple who arrived as buyers, Colonel Majorossy with his son, the secret agent and the servants.

A World War II-style "war game" setting the wealthy customers against skilled mercenaries goes awry when the simulated war gets too real.

A Budapest high school in the beginning of the 1960s. Dini suffers the torments of adolescence. His father had to leave Hungary after the uprise in 1956, and since then Dini's mother has had to take care of her two sons on her own. A friend of Dini’s father, Bodor, is released from prison and moves in with them. Dini and his brother are far from happy about this intrusion on their family life.

Andras (Zygmunt Malanowicz), an older man employed as a furniture designer, gets a life-jarring shock when he returns from a trip and finds that some of the work he developed has been given over to a younger employee. This instigates a mid-life crisis over his own identity and his sense of security and self-worth, all exacerbated by a recent divorce and estrangement from his son. Recognizing that he needs help, the man goes for therapy and starts to face his problems. Therapy counteracts some of the damage of living, and the man starts to consider his son, his relationships with women, and his father in a different light.

The scene is Ukraine. In 1943, after the Hungarian' defeat at the river Don, soldier Balogh decides to visit his family.

It is 1989, the year of the demise of socialism in eastern Europe. Nevertheless, the one theme of Junk Movie does not refer to this historical moment of high ideals, quite the contrary, the wild, burlesque of a motif-mozaic seems merely to stick it’s tongue out at the arrogant players of politics who have their heads stuck in the clouds. The film rudely points out the mystery and unapproachability surrounding the every-day existence of politics. The scene is a greasy, falling-down block of a pub called the Gólya and its immediate surroundings.

Aunt Ilka, who likes company, opens her house standing in the middle of a six-acre rose garden in the little town for the golden youth of the town. As a result of her benevolence, the tenants are in the position to adore not only the roses but a nice bunch of to-be-married girls of the town.

A story of a mother who had to change her profession from a teacher to a high class prostitute to make a living.

Turn-of-the-century Hungary. Two young brothers, neglected by their cold and uncaring mother, descend deeper and deeper into psychosis, with tragic consequences.

Vendel Imre is a driver, his wife is expecting a baby, they have two sons. Before 1945 Vendel was a military officer. In 1951 they receive a letter from the Ministry of Interior: they will be transported to a forced domicile, allowed to take 50 kg personal belongings per person with them.

Private inspector Hável happens to travel on the train which is attacked at Biatorbágy. His attention is drawn to a suspicious man, and in the next few days he confirms that it was indeed him who committed the crime. Yet the police accuses not the lunatic Marschalkó but the communists. Summary justice is declared.