DOXY Films

An experimental musical period drama about the witchhunts in 1595 in the south of the Netherlands. The film depicts the last days of the life of the young woman Heylken.

After restaurant owner Chang dies, the whole town of Obdam is in deep mourning for 'their Chinese'. The always loyal Yung Ling (34) is forced to keep the struggling Chinese Indian restaurant Happy Palace running with her brother Lok Man (32), an artist and the most eccentric of the family. Unresolved feelings are getting in the way of cooperation, but their pragmatic mother Suk Wai (56) sees an opportunity to unite the shattered family.

Unique portrait of Louis van Gaal: one of the best soccer coaches our country has ever known and the man about whom everyone has an opinion. In the film we see Van Gaal in his colorful life; not only his career, but also his background, family life and passions. For three years, the current national coach was filmed during work and private moments. In conversations with national and international soccer stars, but also with his wife and daughters, a complete picture emerges of the development of the Van Gaal phenomenon, his unprecedented career and the remarkable man behind the much-discussed image.

In an as stirring as hopeful music story Dj Robert Soko, who came to fame with his Balkan Beats, embraces musical influences from newcomers in multicultural Europe.

Based on the struggle of young people in Goma (Northeastern Congo) against the prevailing Western reporting about war and misery, Stop Filming Us investigates how these Western stereotypes are the result of a skewed balance of power. Stop Filming Us creates a cinematic dialogue between Western perceptions and the Congolese experience of reality. While the Congolese perspective becomes increasingly clearer in the film, questions arise about the perspective of the film itself; is a white director able to make a film about the new Congolese image or is it primarily a story created by his own Western perspective?

When he sees members of the audience crying while he’s performing his dance, Xavi is a bit disappointed. If they’re crying because they’re moved by his dancing as an art form, that’s fine. But if it’s out of pity because he’s in a wheelchair, they can “fuck off.” A similar attitude can be detected in Jos de Putter and Clara van Gool’s portrait of the Catalan dance collective Liant la Troca, whose members include people with a physical disability. One by one, they spotlight some of these intriguing personalities.

Filmmaker Diego Gutiérrez knows that he is soon to lose two loved ones: his mother Gina Coppe and his best friend Danniel Danniel. Both ask him to film them during this final phase of their lives—Gina in her apartment in Mexico City, Danniel in a Dutch restaurant where he feels at home. What stories do they want to leave behind?

In 2016 the largest and most modern prison in the Netherlands, Judicial Complex Zaanstad, opens its doors. New architecture and a new professional modus operandi enhance the efficiency of the complex and increase the responsibility for prisoners and guards. The demanding and versatile work of guards and prison officials gives us an insight into modern prison practices.

Twelve-year-old Ilias’ best friend is murdered by mistake. Searching for the perpetrators, Ilias gets deeper and deeper into the drug world. In the process, he is seduced by money and status. Will he give up his goal or will he remain loyal to his dead friend?

As teenagers, they decided to fight for FARC. Now that a peace agreement has been signed in Colombia, the children of Caldono return to their bombed village. The question is how the villagers will welcome them: with forgiveness or retaliation? Activist Farid Julicué dedicates himself to achieving reconciliation between the villagers and the former rebels.

A coming-of-age story follows the lives of three Palestinian boys from Hebron for five years. The question is how they stand in an environment where their freedom is constantly being curtailed by Israeli settlers and soldiers.