In South Yorkshire, a small group of railway maintenance men discover that because of privatization, their lives will never be the same. When the trusty British Rail sign is replaced by one reading East Midland Infrastructure, it is clear that there will be the inevitable winners and losers as downsizing and efficiency become the new buzzwords.
Two thirtysomethings, unemployed former alcoholic Joe and community health worker Sarah, start a romantic relationship in the one of the toughest Glasgow neighbourhoods.
After an injury, Graham suffers from short-term memory loss, which causes him to fall back into the abyss of amnesia every 10 minutes. Those around him both profit and suffer from his condition -- his sex-crazed boss, Sabine, tricks him into regular trysts, while his family tries to come to terms with the situation. But when temp Irene starts working at Graham's company, they fall into an affair that begins to make a mark on his memory.
The air is thick with tension as a military squad proceeds to the foot of a mountain base, where they're ordered to wait for backup and hold their position. The mountain is shrouded in fog and the men are exhausted. They've been fighting guerrillas on enemy turf for some time, and they're worn down by the stress and anxiety of battle. The men don't want to wait; they want to charge up the hill, fearing that their comrades in the base have been overrun by the guerrillas. The squad's leader tries futilely to keep his men in line while dealing with his insolent second-in-command.
Julien and his mum care for each other very much. But Julien has committed a deadly sin: he is growing into a teenager! Worse, he has found himself a girlfriend of his age. "Mummy" is not going to tolerate such an ignominy. Julien is HER baby and will remain HERS for ever, encouraged in her "crusade" by her bovine husband and barely thwarted by the more courageous interventions of Suzanne, Julien's sympathetic big sister.
Manuel is a Spanish writer who has emigrated to Argentina. He hears that his childhood village in Spain is to be turned into a reservoir, and returns for one last trip. There he meets widow Virginia, an old love, and begins to hope that he might reignite the flame between them. As old secrets are revealed, the villagers must come to terms with their imminent loss and the drowning of their home.
An Irish-Italian café owner in a seaside town faces a life crisis, as his wife recently died and he's severely in debt. His oldest son tries to help, but has serious problems of his own, while his younger son and daughter are having troubles in school.
Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.
Two speleologists, Esteban and Pedro, travel to a mountainous area located in northern Spain, near a small village, to study a newly discovered cave and determine if it is of scientific interest, while Gabi, Esteban's wife, awaits their return on a lonely road at the foot of the mountain.
Patricia, a woman from Dominican Republic, needs a home and an economic security that her illegal status in Madrid does not provide her. Milady, twenty, born in Havana and dying to travel the world. Marirosi has a job, a home, and the most complete solitude... just like Alfonso, Damián and Carmelo, men from the St. Eulalia, a village lacking both marrying women and future. A bachelors' party forces the encounter between them and the beginning of this bittersweet story of sharing a living.
Sensationalistic group portrait of New York City ‘’club kids,’’ makes you long for those good old days when Andy Warhol’s self-appointed superstars brought a certain humor and bohemian sense of style to his semi-improvised films.
A Sunday, three young friends read the obituary of a schoolmate with whom long ago they lost contact. They go to the morgue and realize that they are wrong: that burial is not that of their fellow student. From this, the confusion and random weave a story of friendship, love and death.
A group of friends, all about in their thirties, gather at Julio's home, one of them, to help him paint the walls. During the hours they are together, their problems, their envy, their failures, their quarrels come to light. Around them, Marta will find how they really are.
A rivalry between two actors proves to have dangerous consequences in this drama from Spain. Daniel (Federico Luppi) is the star of a popular television series who is interested in more prestigious work. and longs to appear on the legitimate stage. Daniel is lobbying for the leading role in Divertimento, a well-known play that made a star of leading man Bernardo Gabler (Francisco Rabal). When Daniel pays a visit to the theater where the play is being staged, he discovers to his surprise that Bernardo is waiting for him. Bernardo is not at all eager to turn over his signature role to another actor and insists on putting Daniel through a punishing audition, which turns out to be the least of Daniel's problems when Bernardo forces him to help hide a corpse, implicating him in a murder Bernardo claims to have committed.
