On the 3rd of October a twenty-four-year-old student from Vienna kills his lover and chops up her corpse. Her torso is found in a dumpster, other body parts and the head are missing. There is no clue about the motive of the murder. A silent chronology of the events.
Irina, a single-mother, must move in with her sugary sweet mother-in-law, Trudi. In spite of feeling suffocated by Trudi’s relentless generosity and greasy home-cooked meals, Irina always tries to maintain a grateful facade. Yet she’s plagued by a creeping sense of unease and is even terrorized by spine-chilling visions when she’s alone. How long can she grit her teeth and swallow everything while denying the rage that is growing in her gut?
A complicated marriage: She has a tumor, he is gay, both of them are keeping it a secret. When their only daughter moves out, he is ready to come out. But that is not going to happen. He arranges a date for a bizarre role-play and she is spying on him, firmly believing that he is having an affair with a younger woman. The chase is on.
“WAGERL” takes a humorous look at the controversial shopping carts in Vienna’s Großfeldsiedlung, which not only shape the parks, residential buildings, and streets but also cause a lot of trouble.
Suffering from unexplained vaginal pain, a frustrated acting student goes to a string of doctors, convinced that she is going to find a specialist who will figure out what’s wrong with her.
Andi shares a deserted building with a group of fellow-squatters he considers his family. One day his sister turns up unexpectedly with her small son Levi, seeking refuge from her abusive boyfriend; she has nowhere else to turn. So Andi suddenly finds himself in the role of uncle, the squat is transformed into an alternative kindergarten, and the estranged pair become the siblings they once were.
A short directed by Michael Podogil.
Luisa returns to her parents' home when her father becomes bedridden. She's expected to help her mother deal with the drudgery of caring for him, but their relationship is tense and the physical contact with the man proves to be unpleasant for her. In quiet moments she remembers scenes from her childhood Long repressed and forgotten memories force their way back into the present, until a final realization brings a family secret to light.
Young people on the telephone.
Ercan is fed up with clichés of migrant roles. Instead of playing a terrorist on television, the Turkish actor is trying to get a role as Hitler in a new movie.
It is about a girl's everyday life at the end of her school days, trying to find a way into society and her own life.
Alex works as a project manager for an automobile parts supplier and is sick of it. It's obvious just looking at him. When the next project is announced already at the final meeting for the last one, he leaves without a word and decides to change his life. He meets Anna, a film student, and lapses into the idea that she should shoot a documentary about his life. Maybe it will be easier for him to start a new life after first passing review over the old one?
The heroine of the title grows up. Slights, dance school, a cinema of glances, of tender moments, of trivial pop songs. A cinema which takes time, makes observations and which continuously finds or invents opposite picture sequences for loneliness and breaking free...
Mathias is transgender. Although he is more than sure about his decision to live as a man, he still has to find his way in his new identity and especially in his new job. And also his relationship with his girlfriend seems to have changed due to the transition.
After the death of his parents, Heinrich reunites with his sister Susanne in the abandoned childhood home. But his childhood guilt floats through the silent rooms of the house, and the prospect for reconciliation is remote.
Poetic images of nature in the opening credits lead us on the wrong track. The motorcyclist has been lying under his machine for a long time. At the moment of death, memories emerge. Flashbacks to family history, speechlessness in the face of death in harsh cuts.
Short film about a woman and a little girl.
The dress is too lavish and the toilet cubicle too small for the bride to fit in. The ballroom is jam-packed and the mood is alarmingly good. Something is about to burst: the groom’s delusion of grandeur? The pregnant belly of deaf Betti? Her step-father’s patience? Or the wine-filled bladder of his ex-wife?
