Escuela Internacional de Cine y Televisión (EICTV)

Javi shows up for the last time at a queer club where he works as a dancer, but he must deal with Castillo, a regular customer who resists the fact that he will never see him again.

Alfa, a famous porn actor, must deal with his fears, insecurities and memories when he begins work on a new film without Yerry, his former partner in life and porn. On his first day of shooting without him, Alfa tries to act as in the past but can things be like before? Javier Ferreiro's short film reflects on the difficult decision of letting someone go to move forward. ALFA is framed in the context of gay porn cinema in Cuba where pornography is banned but, little by little, it's growing up an underground industry impulsed by foreign tourism.

A young man reflects on his evangelical past imposed by his father when he begins to frequent an Adventist church in Cuba. The young man's existential resonances have repercussions on the fragile reality that this film essay attempts to construct.

Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.

A poetic and contemplative journey of harmony between different forms of life that coexist on the earth. This film is a meditation on the effect of time, movement of the human spirit, and passage to new forms of life, through the eyes, ears, and bodies of three elderly land workers living in a small community in the outskirts of Bauta, Cuba.

Three stories about men and women in terminal situations.

Sergio Abel lives in a small town in Central Cuba and he videotapes his life. He is also a grade school teacher. A beautiful documentary that incorporates Sergio’s observations and footage and his student’s aspirations for the future with the outsider’s eye to tell his story.

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

Anolan is a soloist in a string orchestra, lives with her mother and dedicates every minute to his profession; Enmanuel is a peasant resident in the Sierra Maestra who devotes his time to working the land, accompanied by his young son.

Jean Remy is a Haitian man struggling to find employment in Dominican Republic. Confronted with rejection and discrimination in the city, he sets off to try his luck in the countryside. Imbued with a naturalistic grace, this deeply sympathetic portrait speaks eloquently to the trials of humanity.

The city dissolves itself in the same way it was created. With each movement, its inhabitants are preparing to leave to another place, while forming the newton image.

In the hard scrabble of life in Havana, Gabriel attempts to build his perfect musical scale.

An intimate portrait of the lives of Delvys and Carlos, siblings who live alone with their elderly mother in a rural part of a small Cuban town. The film portrays a family engulfed in their inner worlds. Between the sacrifices they make out of love for those who are present, and their longing for things that are absent, they struggle to find meaning as they reflect, contemplate, and carry the weight of existence, trying together, to move forward.

Every weekend at an illegal drag show in the suburbs of Havana, Sebastián, a 17-year-old Cuban teenager, transforms into 'Mila Caos', his empowered, flamboyant alter-ego. When he returns to his daytime self, Sebastián suffers from his mother's indifference, dreaming that one day she will see him on stage for who he truly is.

An experimental film about that one hypnotic moment on a regular, unassuming Tuesday when one realizes that time has stopped and the universe has been sucked into a single smile.

Under the threat of a hurricane pending over the city, Lubrini is looking for his lover, who disappeared in the streets of Havana.

In no particular time and space, a family fabricates goat cheese. The mother and the daughter pretend to sell the cheese in a lonely road, but they are really selling their bodies. They leave the hard worked cheese to decay in a pile of dirt and rot. The mother encounters existential desperation when the daughter departs with a costumer and the father prefers the company of the goats.