The eternal August 15 picnic on Callot Island. But this year, Paul, his family and their friends find themselves trapped by the tide. Paul, upset, stuck between the world of adults and that of children, becomes aware of his individuality.
The small town of Revin, in the Ardennes, is preparing to elect its mayor when an unknown individual is running. This intruder is none other than a comedian, who will drag the whole city into a political fiction.
Step by step, the film reveals a woman's way through life. As the lonely bearer of many different thoughts, she dances the worlds of her memories, feelings and experiences, discoveries and cheerful emotions.
Magdalena, Oriane, Anna, Solène and Morgane. It has been ten years since they last saw each other. When they were sixteen, they went together on a girl's trip. In a beautiful house, facing the sea. They went to the beach, drank a bit of wine, danced... And then everything burned.
Discreetly zany, Ya Rayah collects heterogeneous objects and images. Throughout this list we find smoking shoes, errant typographies, x-rays of feet... The assembly of these materials creates a playful journey, revealing the movement of writing in the process of being written. Where we find the poetic gesture dear to the imagination of ALIS, whose work is inspired by the methods of Oulipo. The approach of ALIS, a group founded by Dominique Soria and Pierre Fourny, is not standard. It focuses on the search for a new expression using different artistic disciplines. Usually their compositions are exhibited on stage or exhibited in art galleries. After La Complaint du Progrès, this film once again opens up, to the music of Dahmane el Harrachi, a rich field of investigation into their joyful and cleverly organized words.
With light and shadow as dancing partners, Michèle Noiret enters and explores worlds that she evokes and challenges with her dance. She immerses herself and loses herself in them. The intoxication of dance and the enjoyment of pure cinema surrender to each other in a film in one fluid motion. As in certain dreams.
Choreographer and interpreter for the Nederlands Dans Theater, Lionel Hoche likes to depict twin universes and dual life histories. In a sixties-style apartment, furnished with brightly coloured objects, two men face each other. While a smooth melody distils syncopations and undulations, the dancers have fun diverting everyday objects from their customary use. This dreamy, playful and amorous atmosphere leads to all kinds of visions and enchantments.
