Amada Films

Marcela and her brother Claudio travel to the old family home in Villa Carlos Paz, with a project to turn it into a boutique hotel. Marcela is a prestigious architect, who returns to the country after separating from her American husband. Claudio, actor and bohemian, seeks inspiration to write a work that will finally take him out of anonymity. While the brothers wait for the investors to arrive, they notice that in their absence, the old landlord Ramón - who raised them since they were children - has taken over the house and rents it out for different activities. From this crossroads, The Landlord delves into the ties, frustrations and the need to make peace with the past.

Buenos Aires Province, a summer in the 30's. Mateo, an ex convict anarchist, travels around the Pampa in his old truck, carrying stolen hens and the illusion of finding his lost rooster, The King, which, he hopes, will lead him to glory at the cockfights. Fate faces him with Aurelia and Carmelo, two siblings in search for their father. Wandering, uncertain about his final destination, Mateo decides to give them a ride southbound.

Martin is a lonely television director who becomes obsessed with his neighbor Isabel when he finds an amateur porn video in which she participates. However Isabel turns out to be the wife of the owner of the TV network where he works.

As a child, Lucas falls in love with Ana. His story is truncated: she moves away and he loses track of her. Today Lucas does crossword puzzles and has almost zero love-sexual life. Meanwhile, his friend Santiago has a blind date with Verónica that ends after a few seconds. Verónica's neighbor is in a secret and quite toxic relationship.

In 1918, two important events took place in the City of Buenos Aires: an unexpected snowfall and the visit of Dadaist star Marcel Duchamp. The artist who dared to paint a moustache on the Mona Lisa touched Buenos Aires soil, getting around the restrictions of World War I and having as his only contact with the other members of the movement the handwritten letters in which he described the strange customs of the Argentinians. Through the endless possibilities of fiction, Everything I See Is Mine reconstructs Duchamp's days among visits to the Palermo lakes and the ritual of mate.

Ana and Álvaro have been trying to become parents for years and that circumstance has broken the relationship and worn down the bond. Ana then begins to travel on the edge of anguish and Álvaro decides to use a resource that he had not imagined before: traveling to the North of Argentina and adopting a child, beyond the law.

A teenager recently expelled from the Naval Academy in early 70's Argentina befriends four notorious youths in a small city near Buenos Aires, partakes in their pranks and aspirations, and in the process experiences first love.