Film School of the Aristotle University of Thessaloniki

Two friends, a boy and a girl, at the age of 16, decide to deal with the taboo of being naked.

Peter is an eight year old boy who lives in a cheap hotel room. When his mother oddly disappears, a transsexual woman comes to take care of him, against her own will. Sooner or later Peter will find out that this is the woman with the 'plumed snake', the woman that will pull him to outside world, where anything is likely to occur.

After his bossy stepfather decides to take him on a business trip, 16-year-old Michalis spends his last day in the city hanging out with his friends. It will be a day full of illegalities, music and bold risks.

Sali, a young man of Albanian origin, has dropped out of school and works at greenhouses. He wants to save enough money to go through the tryout process of Juventus Academy. But to realize his dream, he must first overcome a series of hurdles in his harsh daily life.

A boy explores his grief and searches for peace, through a series of dreams guided by music.

Stamatis cannot get over his breakup with Katerina. He stays locked inside, until one night Katerina visits him with one purpose only: to get him out of the house.

The documentary Creative Producer: The Unsung Hero of Greek Cinema explores the role of the producer in the creative process of Greek cinema, highlighting the complexity and unseen creative role that distinguishes this special profession.

Yawth is a story about the social media generation. On a typical Friday night Vicky wants to reach the party her crush is going to, but the night does not go as planned.

Dimitris Pistiolas, a retired employee for the Greek Post Office, is the owner of the largest cinema museum in the world. In two tiny venues in Athens lies his renowned by the Guinness World Records collection. Now, 90 years old, Dimitris recounts his past, hidden in his machines, hoping that his memories are not going to be lost forever.

Greece 2011. In an uncertain economic climate, two young people suddenly find themselves out of a job when the owner of the company they work for suddenly declares bankruptcy. With nothing left to lose, they decide to take their destinies into their own hands. All they need is a plan. A simple plan...

Christina is required to provide lodging for her brother Themis on his release from prison. The influence Themis exerts on her daughter, Miranda, causes friction within the family, and Christina struggles to keep the balance.

Did you ever realise some people that would not sit next to them in a bus, or talk them. We eve hesitate to have a loot at this people but stare secretly. Sometimes those people against whom we have a lot of prejudices, are a part of our society, we just don't realise that, until we face some circumstances and really look into those people...

Nina knows why her grandfather hates her – obviously because she’s a lesbian. Time to come clean. In the weirdest car ride of their lives, Nina and Stathis will have to finally talk to each other whether they like it or not.

A coming of age story about two sisters leading their lives in pole positions, who are summoned to a night's call of decision making. In a frantic attempt to truffle out money, they come up against visions of both a traumatic past and a disturbing reality, while realizing how difficult it is for a family to make ends meet.

On a road trip, Marina, a teen adult, is driving her younger yet more mature sister, Eleni, to her new home. Marina freaks out at the idea of parting with her sister. She is obviously unready, it’s the end of their era! So she comes up with a lie in order to delay the inevitable, but in the end she pisses Eleni off. A squabble breaks out between them, sparking off a frank sisterly talk.

In Thessaloniki, the summer of 2015, during the time of the referendum and the capital controls, Eugene Muller is trying to throw the first Greek party of the American Day of Independence.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

A trip to the creating of the theatrical costume, starting from the first idea in the costume designer's mind, until the final construction by the dressmaker's hand. The film follows the set up of the exhibition "Traces of ephemeral", coordinated by Ioulia Stavridou for the National Theater of Northern Greece. By her students to her memory.

A discussion about the male gaze.

Fast on his feet with a fat mustache, short stature, and investigative gaze. For a couple of days in the mountain, in his native land, we approach a man, strange and loud but nevertheless genuine and sensitive, a hunter. In his own way, Mr. Sotiris shines light on our bond with nature, history and man.