Canibal Filmes

Super Chacrinha and Glauber Rocha, two millionaires from the earthly plane of Varathrum, manipulate the people around them, including Deus and the Devil, so that their artistic industrial conglomerates grow.

Experimental animation, the creators spending two weeks scratching the Super 8 film.

Zombies, beautiful dead girls, newly-dead and a wide variety of colorful and slimy undead invade the West of Santa Catarina, Brazil. Guts roll while "yerba mate" Cronenberg is consumed by the farmers. But the zombies aren't the biggest problem when all the humans are sadistic and selfish.

A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.

A group of girls devouring pervert men.

In this anthology of horror episodes, 13 bizarre stories are told by independent film directors of Southern Brazil. Between ghosts, serial killers and demons, they conduct their strange, very strange stories.

Documentary short with a clipping of Jorge Timm's performances for Canibal between 1995 and 1998.

A girl is kidnapped by a drug dealer at the behest of a corrupt senator (Coffin Souza), who intends to hold a party in the presence of a demented priest and a doctor using the girl as fun.

A punk scientist formed the formula of the deadly drink that transforms drunks into hallucinated zombies and awakens the fury of Little Red Riding Hood's grandmother and her afternoon tea buddies, who armed and dangerous decide to get revenge.

Canibal Filmes and Bulhorgia Produções proudly present the most faithful and realistic version, released so far, about what goes on in the mind of the accursed filmmaker Petter Baiestorf. With direction and script by Baiestorf himself and editing by Gurcius Gewdner, the film shows in a clear and objective way the entire trajectory of life, ideology and passions experienced by Santa Catarina. With a soundtrack of impact and moments of joy and anguish, entirely taken from the incredible vinyl collection of Gurcius Gewdner, Palhaço Triste has already been considered the best film of the tireless Canibal Filmes, in 2005

Dr. Karloff prisons an alien from the Leguminous Planet and calls his friend Dr. Marins to help him in his experiences, because the Leguminous Monster is an anarchist intellectual full of hate against the human beings. While the scientists discuss about the monster, Caquinha is convinced for him to let him go. Done that, the Monster kills the scientists and kills everyone he finds in his way.

Experiments and improvisations in a feijoada among friends filmed not to be a short film. Edition of the duo Baiestorf-Bortolanza with unpublished / excluded scenes from the movie "Gore Gore Gays". A style exercise will only occupy your head. Synopsis: Girl leaves inland and arrives in the big city to live her dreams.

An oral record with a little history of the Kaingang Nation told by the Kófas of the Guarita indigenous tribe.

Small fragments from the life of a woman tortured to death by a drug addict and a cannibalistic Satanist. The thick blood splatters against director Baiestorf's dirty lenses, which shows in a surreal way the most realistic scene of heroin use ever filmed in the history of Brazilian cinema. The short was created from scenes filmed for the feature "Stay Sick!" which Baiestorf was unable to finish.

In 2002 Petter Baiestorf launched the fanzine "Manifesto Canibal" with notes on how to produce films independently without any resources. In 2004 the anarchist publisher Achiamé ordered an expansion of the fanzine to be published in book format and, thus, the book "Manifesto Canibal" by Petter Baiestorf, Cesar Souza and intervention by Carli Bortolanza appeared. In 2007, already out of print, Petter Baiestorf decided to film the book in the format of an experimental short and what follows here is the result of this iconoclastic experience that kills the gods of cinema.

At the end of the busy year of 1997, we ended up filming a documentary produced by Jorge Timm. Jorjão's restaurant was very close to the Uruguay River, on Ilha Redonda, and there was a river flood, which rose about eleven meters above the normal level - two meters less than the record high of 1983 - and displaced many people. Claudio Baiestorf, Carli and I went there to record the damage, interview homeless people and invent delusions. We arrived at the place and realized that Jorge had greatly exaggerated, via telephone, the size of the flood damage. There were not even homeless people. Thanks to warnings from the civil defense, all residents had taken precautions. We opened a whiskey and started filming anyway.