A Man and a Woman 1966
A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly, they reveal themselves to each other, finding that each is a widow.
A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly, they reveal themselves to each other, finding that each is a widow.
Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.
A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.
In France during World War II, a poor and illiterate man, Henri Fortin, is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.
They knew each other long ago: a man and a woman whose dazzling and unexpected romance captured in the now-iconic film revolutionized our understanding of love. Today, the former race car driver seems lost in the pathways of his memory. In order to help him, his son seeks out the woman his father wasn’t able to cherish but whom he constantly revisits in his thoughts and dreams. Anne reunites with Jean-Louis and their story picks up where they left it…
A successful film composer falls in love when he travels to India to work on a Bollywood retelling of Romeo and Juliet.
The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.
When they realize the times are changing, five crooks decide to switch from bank robberies to personality abductions.
Before being judges, attorneys, or jury members, they are first of all men and women at a crossroads in their lives, with their dreams and their secrets, their hopes and their limitations, all beneath the same sun, each with their own dark side. In a lovely provincial town, during a jazz festival, life will juggle with their destinies.
Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.
A composer and a French film star, both of whom are married to others, meet and fall in love while shooting a film in the United States.
A high-speed drive through the streets of Paris.
Released from prison under a New Year amnesty, a criminal tries to pick up the threads of a life changed not only by his daring plan to rob a jewelry store in out-of-season Cannes, but also by a very special someone he met there.
The successful novelist Judith Ralitzer is interrogated in the police station about the disappearance of her ghost-writer. A serial-killer escapes from a prison in Paris. A missing school teacher leaves his wife and children. In the road, the annoying and stressed hairdresser Hughette is left in a gas station by her fiancé Paul while driving to the poor farm of her family in the country. A mysterious man offers a ride to her and she invites him to assume the identity of Paul during 24 hours to not disappoint her mother. Who might be the unknown man and what is real and what is fiction?
Benoit Blanc loves living, he loves women, he loves daring. He is a famous businessman who suffers from stomach-ache. Fabiolini, a would-be actor, is a policeman and he too suffers from the same sickness. The two man face suffering in opposite ways: Benoit Blanc is optimistic while Fabiolini, always unsure of himself, is persuaded he is seriously ill. The two men meet by chance while doing a gastroscopy and become friends. After having known their real different conditions, they will change and will understand better their lives. Around them, other people, women and men, will see their lives changed, by chance, by love or solely by the life stream.
A theater projectionist's daughter is involved in the Resistance in WWII, but she doesn’t share his political involvement & only believes in passion. She follows the men she loves unconditionally, suffering betrayal and hardship.
The film follows the exploits of Jacques, a car-mechanic turned pro-thief, and his Jewish co-conspirator Simon as their robberies, beginning well before the Second World War, take on a political coloration under the occupation.
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
Upon their release from prison twenty years earlier, Gérard, Ary and Philippe asked themselves if honesty was not the best racket of them all. Today, they are inseparable and scrupulously above board. But Gérard learns he is terminally ill. Their friend’s days being numbered, Ary and Philippe want to offer him one last love story… because, as Gérard likes to say : love is better than life.
François Toledo, married businessman and father, falls head-over-heels in love with Janine, a work colleague. However, he is soon found out: after three dates, he strangles some prostitutes, when, the victim of blackmail, he becomes dishonored. He is taken to court, and sentenced to be killed by a guillotine.