Štúdio hraných filmov Bratislava

A group of French students are drawn into the psychological and sexual games of a mysterious man called Duchemin. Once they sample his "fear powder" the students experience a series of hallucinations.

Oldrich "Fajolo" Fajták (Marián Bielik), a student who directs quasi-existentialist verbal abuse at his girlfriend Bela Blazejová (Jana Beláková), takes off to a formally volunteer summer work camp at a farm where he meets her grandfather.

A dramatic story of three friends happily spending time on their own in a mountain cottage in the High Tatras. On the arrival of the wife of one of them their perfect friendship is put to a test.

Concentration camp commander Kraft finds out that prisoner Kominek is a former professional boxer. Overnight, the prisoner is made Kraft's exercise partner and unwillingly rises to a privileged position at the camp. His anger over the death of his friend and co-prisoner leads to open revolt. The film brings a new view of human degradation during fascism by a tragic story of one man whose only chance for survival is to accept the rules of an unequal game.

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.

In the aftermath of war, two men and a woman begin acting more like children than adults, leading to tragedy.

The film captures the new events in the lives of the main characters of the film "The Copper Tower". After two years spent in prison because of smuggling they return to the Stratená dolina valley and plan a revenge on police lieutenant Pardek.

A film adaptation of the novelette of the same title written by Dominik Tatarka depicts the life of a young generation of artists that was formed in Slovakia during the war. Anabella, a young and beautiful girl meets a group of artists. She awakens their erotic desires but also pure feelings of love; she becomes the object of their secret fantasies as well as their artistic inspiration. And it seems that the boundaries between reality and fantasy suddenly cease to exist.

Juraj, a Slovak artist living in Prague, takes stock in his life, realizing that his days pass without purpose. He lives a carefree life. But now he has to choose between two women, between the city and the country, and between creative work and craftsmanship. He has a passion for art but he also has to make a living. Through his relationships with close people, he grows aware of his position and this knowledge helps him to live a more fulfilling and better life.

A man may or may not have betrayed a resistance fighter during World War II. He has supposedly been shot down by the Nazis and wanders into town. Mourning the death of an unseen comrade, he is taken in by the family of the dead rebel. He engages in a superfluous affair and witnesses the lesbian relationship between the man's sister and a female servant. When passions subside, the family has doubts about the reliability of the man's story.

A fairy-tale about an old lady who takes care of snow and Jakub who does not fear death. It reflects the idea of people's longing for happiness, love and understanding, their effort to overcome troubles and win over death. It criticizes greed and evil desires.

A classical ballad motif about an aging father and his three daughters is quite unusually here set against the backdrop of Czechoslovakia of the 1950s. After having been expropriated, the former landowner Majda seeks refuge with his three daughters whom he had sent to a convent a long time ago. But only the youngest one is able to forgive him and she is willing to take care of him despite the threat of expulsion from the order.

A balladic story situated in a Slovak mountain region before the 2nd World War. A young man returns to his native village after many years. There he meets Zuna, a mysterious girl of the forest, who opens his eyes to the charming nature to perceive hidden corners of the world and of his own soul.

A fairy-tale about the power of love. The old king Pravoslav feels it is time to entrust the rule over his kingdom to one of his three daughters - the one that loves him the most. The youngest, Maruška, fails her father's expectations about proving how deep her love him is. He misunderstands her and she is made to leave the castle. She faces many dangers on the way to her loved one, the Salt Prince.

This film is one of the most popular pictures of Slovak cinema and relates the story about the legendary folk hero and brigand Juro Jánošík [1688-1713] and the social situation in Slovakia of the late 17th and early 18th centuries. The first part talks about Jánošík's childhood, studies and return to his native village. In the second part Jánošík leaves for the hills, where he organizes his band of brigands and starts an anti-feudal resistance. The film concludes with Jánošík's execution.

Two days before Christmas. Zuzanka and Tomás, friends from a kindergarten wander off during a walk. They admire toys and decoration in shop-windows. Zuzanka shall receive a sledge as a Christmas present and Tomás even a desired little brother. At a shooting gallery Tomás aims at a target on the trunk of a blue elephant which can call in Christmas. The impatient Zuzanka pushes to her friend and he shoots directly to the elephant's red eye. Things which the owner of the shooting gallery warned about happened: the sun popped on the sky, the snow melted and all Christmas shopping has stopped. Both pushful children decide to get a new eye for the elephant so that everything can be set right.

One of the lead characters is Maria, an inn keeper; always a bride but never a wife. She meets the newcomer Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. The film is full of fireworks of lovely colours, and a warm feeling. It is like a carousel of humour and human situations that carry us away, from the very first frame to the unexpected ending, making the viewer laugh gaily. Using a mosaic approach to the traditional narrative line, the film director creates a picture of fairly anarchic glee. “Celebration in the Botanical Garden” is a world of fantasy, full of summer fun, good humour and delight. E. Havetta´s debut was inspired by naïve art, French impressionism, and silent slap-stick as well as Western Slovakian folk traditions.