Consejo Nacional para la Cultura y las Artes

The story of a young woman clinging on to her dream to become a beauty contest queen in a Mexico dominated by organized crime.

Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.

Heli must try and protect his young family when his 12-year-old sister inadvertently involves them in the brutal drug world. He must battle against the drug cartel that have been angered as well as the corrupt police force.

Five men are hired to paint the yellow line the road between two villages in Mexico forgotten. Aboard an old pickup truck, initiated the work of more than two hundred kilometers of asphalt and yellow paint to be completed in less than a fortnight

In the Mexican-Guatemalan border, young teenage lovers, Sabina and Jovany, both Hondurans, accidentally meet again after some years without seeing each other. She plans to get to the United States and dreams about being a great singer; he commits all the required atrocities to be accepted by the gang: la Mara Salvatrucha. Sabina and Jovany crashed with the most adverse conditions at the border like white slavery, the Mexican and American migratory agents Burrona and Patrick, the brothel matron Doña Lita, Don Nico the Mexican Consul in Tecún Umán, the drug trafficking networks, the army and la Mara Salvatrucha.

Set amidst the 1999 student strikes in Mexico City, this coming-of-age tale finds two brothers venturing through the city in a sentimental search for an aging legendary musician. Shot in black-and-white, Güeros brims with youthful exuberance.

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

Gerardo is deeply in love with longtime lover Jonas. When Jonas falls for a stranger he met at a local nightclub, heartbroken Gerardo soon seeks solace in the arms of Sergio. Despite other interests, Gerardo and Jonas can't bring themselves to end it.

In Sonora, Mexico. Jeremías, an eight year old, who finds out he is a gifted child initiates a journey of self discovery. When an opportunistic physiologist makes contact with Jeremías, a new world of experiences open up to him but at the expense of being away from the family he loves. Jeremías must choose between this exciting but lonely new world he finds himself in or returning home to his loving family.

Lucia, an children's book author, tells the story of her husband's disappearance. One day on their way to Brazil he just disappears. She goes to the police, gets a ransom note, and makes friends with the old dude downstairs and the young dude upstairs as she tries to find him. Things take a bit of a twist as she realized the kidnapping may not be as simple as it seems on the surface.

When four women move into an old house left by one woman's aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.

Two wrestlers decide to go to a hotel in order to meet two prostitutes.

Nacho, a 13 year old boy, crosses the threshold of adolescence trying to find his place in life in all the wrong places: a dysfunctional family and a social setting that is corrupt and violent. Can the purity of first love survive the darkest aspects of our society?

A man who travels back to the house of his father, grandfather and backwards.

A heart-warming story of Fede who discovers his passion to photography and his two new friends help him to find a way from his loneliness and four walls of his apartment. The three friends - an obese Fede, his brother-in-law Ramón and Paulo, a lonely teenager who loves comic books - form a friendship that completely changes their lives.

This is a story about the families of those that once were our witnesses, our eyes and our voice, but were threatened, had to leave Mexico and forced to live in exile, seeking for political asylum. It is not about powerful journalists, it is about invisible reporters that represent the weakest links of the news network’s chain and now are living in an immigration limbo.

Every afternoon Noelí, a young Dominican woman, hangs out on the beach at Las Terrenas. With her boyfriend, Yeremi, they look for ways to make a living at the expense of one of the hundreds of tourists there. However Noelí also has a steady client, Anne, a much older French woman, who, like many other Europeans, has found an idyllic refuge on the island to spend her last years. For Noelí, the relationship is one of convenience, but the feelings become more intense as they plan to leave together for Paris.

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

Years after the Salvadoran military destroyed the village of Cinquera in that country’s civil war, survivors have returned to rebuild their community. Soulful, beautifully rendered, this amazing debut is an evocative testament to place, memory and the power of life to rebound from tragedy.

This film traces the unbelievable true story of the Calderón family, who built grand movie palaces in Mexico and the U.S., employing thousands to produce incomparable, hugely successful, and often reprehensible populist-genre films that were utterly and uniquely Mexican.