The One-Man Band

The One-Man Band 1900

6.80

A band-leader has arranged seven chairs for the members of his band. When he sits down in the first chair, a cymbal player appears in the same chair, then rises and sits in the next chair. As the cymbal player sits down, a drummer appears in the second chair, and then likewise moves on to the third chair. In this way, an entire band is soon formed, and is then ready to perform.

1900

Joan of Arc

Joan of Arc 1900

6.90

A divinely inspired peasant woman becomes an army captain for France and then is martyred after she is captured.

1900

Sherlock Holmes Baffled

Sherlock Holmes Baffled 1900

5.20

Sherlock Holmes enters his drawing room to find it being burgled, but on confronting the villain is surprised when the latter disappears.

1900

Pierrette's Escapades

Pierrette's Escapades 1900

5.20

Columbine resists Pierrette's courting in favour of Harlequin in this hand-coloured short by Alice Guy.

1900

The Enchanted Drawing

The Enchanted Drawing 1900

6.42

A cartoonist defies reality when he draws objects that become three-dimensional after he lifts them off his sketch pad.

1900

At the Floral Ball

At the Floral Ball 1900

5.10

A turn-of-the-last-century hand-tinted short, which features two women, Miss Lally and Miss Julyett, dancing at a ball. By the legendary French filmmaker Alice Guy.

1900

The Cabbage-Patch Fairy

The Cabbage-Patch Fairy 1900

5.02

The fairy at a cabbage patch hovers over the babies. This is a remake of Guy's 1896 film on the same subject, this time shot in 35 mm.

1900

Grandma's Reading Glass

Grandma's Reading Glass 1900

6.40

A child borrows his grandmother's magnifying glass to look at a newspaper ad for Bovril, at a watch, and then at a bird. The child shows grandma what he is doing. The child looks next at grandma's eye, then at a kitten.

1900

Let Me Dream Again

Let Me Dream Again 1900

5.80

Possibly the first film to utilize the technique of focus pulling. A man kisses a beautiful and lively woman, then the image blurs and dissolves into a clear image of the man waking up to his nagging wife.

1900

How It Feels to Be Run Over

How It Feels to Be Run Over 1900

5.92

As the camera looks down an open road, a horse and carriage approaches, and passes by to one side of the field of view. Soon afterwards, an automobile comes up the road, straight towards the camera. As it gets nearer, the occupants start to wave frantically, but can a collision be avoided?

1900

Spanish Bullfight

Spanish Bullfight 1900

4.10

With a crowded arena in the background, a stationary camera records a bull charging a picador astride his horse. An attendant on foot throws stones at the rump of the horse to get it to move. Various toreadors run past the bull to try to get him to charge or at least run about.

1900

Going to Bed Under Difficulties

Going to Bed Under Difficulties 1900

6.51

A man takes off his clothes in preparation for bed, only for new clothes to spontaneously generate, leading to comical consternation.

1900

Explosion of a Motor Car

Explosion of a Motor Car 1900

6.10

An early trick film where a car explodes and body parts fall from the sky. A policeman witnesses and attempts to piece the remains back together.

1900

A Fantastical Meal

A Fantastical Meal 1900

6.30

A family sits down to enjoy a meal that ends up being fraught with complications.

1900

A Railway Collision

A Railway Collision 1900

4.10

The scene is a railroad track on the side of a steep mountain, with a tunnel in the background, toward which a train is running at a high rate of speed. At this instant the audience is appalled at the sight of a second train rushing out of the tunnel. Both trains are on the same track and traveling toward each other at a high rate of speed. They collide. Cars and engines are smashed into fragments and thrown down the steep incline. (Edison Catalog)

1900

Le village de Namo - Panorama pris d'une chaise à porteurs

Le village de Namo - Panorama pris d'une chaise à porteurs 1900

6.10

The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train.

1900