Fine Arts Film Company

Karl Heinrich is the heir to the throne of the small European principality of Rutania, but he's a lonely child, not allowed to play with other children and knowing little about life outside the castle. When he reaches maturity, he is sent to attend the University of Heidelberg, and finds fellowshi with classmates and a blossoming love with Katie Ruder, his only friend during childhood and the niece of an innkeeper. However, political turmoil in Rutania forces him to return. War is declared. Heinrich returns to Heidelberg one last time to bid a somber farewell to his beloved Katie.

Gerald, the somewhat frail son of a wealthy New York family, is bested at the beach by Bill, a strapping young cowboy from Arizona. His fiancée Mary, ashamed of Gerald's "yellow streak", leaves him and goes by train to visit some friends in Arizona, with Bill in tow. Gerald follows them, and before long he and Mary winds up captured by Yaqui Indians and Gerald must prove to Mary that he is not the "weakling" she thinks he is by coming up with a plan for them to escape their captors.

Philip de Mornay, a courtier in the French royal court of the 18th century, falls in love with Daphne La Tour, the daughter of a nobleman. Knowing that her family would never approve of their marriage, he takes her and hides her in a brothel, but is soon captured by pirates. Soldiers looking for women to bring with them to a settlement across the ocean in Louisiana raid the brothel and take the girls, including Daphne. Later on the trip to the new world their ship is attacked by pirates--and she discovers that her lover Philip is on board the pirate ship.

Doug is an American mining engineer. Pres. Valdez of Paragonia wants him to reopen the country's mines. Doug is not interested ... until he sees the President's beautiful daughter, Juana. Valdez returns to Paragonia, but is deposed by Generals Sanchez and Garcia and locked in San Mateo Prison. The Americano arrives...

A 1917 film directed by Paul Powell.

Produced at the Reliance studio in Yonkers, New York, HIS PICTURE IN THE PAPERS solidly established Fairbanks as the American ideal of pop, vim, and vigor. Furthermore, the film brought him together with the two collaborators who were to play a profound role in the evolution of his screen persona: writer Anita Loos and her future husband, director John Emerson. The theme was, according to Emerson and Loos, "the great American love of publicity."

A man and his wife both have criminal pasts, but have quit crime and are now respectable citizens. One day a member of their old gang shows up and threatens to expose them if they don't help him pull a heist.

Renee is a French artist's model who uses morphine as an escape from the dull reality of her life. She recommends it to a neurotic artist because "it kindles the fires of genius." The artist quickly becomes addicted to the drug and the quality of his work begins to disintegrate. He takes on a new model, marries her, and starts her on the same path of moral degradation, until a guilt-ridden Renee decides to intervene in order to save them both. According to silent film historian Kevin Brownlow, THE DEVIL'S NEEDLE was banned by the state of Ohio, but the censor board reversed its decision after recognizing the positive message beneath the film's scandalous surface. This special edition was mastered from a 35mm preservation print of the 1923 re-release version. The only known surviving copy, the element suffers significant nitrate decomposition during some scenes.

A 1917 film directed by Paul Powell.

A teenage orphan (who believes herself to be "hoodooed") is taken in by a childless couple and quickly falls for the boy next door; Her luck seems to have changed. But the idyll is broken up after a trip to the movies-- It seems the 'hoodoo' has returned after she tries to replicate what she'd seen on the screen.

A 1917 film directed by Tod Browning & Wilfred Lucas.

Naomi is a young aspiring artist known to her Bohemian friends as "The Nut." Naomi's alleged nuttiness does not in any way impede the efforts by wealthy Frederick Harmon to make the unworldly heroine his bride. When their first baby is born, Naomi becomes so obsessed with motherhood that she completely ignores poor Harmon, who, to offset his loneliness, begins squiring the vampish Helen Carew. Helen manages to convince Harmon that Naomi has been unfaithful, leading inevitably to divorce-court litigation.

Lillian Vale is the naïve and unworldly daughter of minister Josiah Vale. Swept off her feet by handsome Robert Powers, Lillian marries him, unaware that he is constitutionally incapable of fidelity. Led astray by vampish Hattie Lee, Powers follows his new paramour to the Big City -- the first of several bad decisions which culminate in disaster for the errant hero.

A 1917 film directed by Edward Dillon.

An outlaw calling himself Passin' Through halts his "evil" ways long enough to help out some children in difficulty.

A woman is stuck with an unfaithful husband until he is killed robbing a bank.

Douglas Fairbanks stars as "Sunny" Wiggins, who believes in eternal optimism and good spirits. This places Wiggins at odds with his staid, wealthy family, who decide to get even when he blithely invites a group of derelicts to his sister's coming-out party.

H. Ulysses Watts is a traveling Shakespearean actor whose career is on the decline, as his audiences are more interested in cinema and vaudeville. When the troupe is robbed by Stoner, Watts cares for an injured young trapeze artist.

Based on Henrik Ibsen's play from 1877.

Betsy Harlow is a hard-working maid in a boarding house. Her dream. however, is to be a detective, a dream she shares with her boyfriend Oscar, a delivery boy for a local grocer. One day a mysterious character named Harry Brent takes a room at the boarding house. Harry, seeing that Betsy is falling for his rather shady charms, persuades her to help him get a box of jewels owned by the Jaspers, an elderly couple who lives across the hall. It turns out that Harry is not quite who he seems; neither, however, are the Jaspers.