CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...
Accompany PJ Harvey and Seamus Murphy on a journey through the creative process behind PJ Harvey's new album, conceived by their travels around the globe.
The lives of the late Bradford playwright Andrea Dunbar and Lorraine, one of her daughters, and the community of Bradford, in the 30 years since the 18-year-old Andrea penned a play about growing up in the community titled "The Arbor".
Inspired by a powerful involuntary mania which took hold of citizens in the city of Strasbourg just over five hundred years ago, this film is a collaboration in isolation with some of the greatest dancers working today.
Miranda July looks back at her Artangel project, an interfaith charity shop that opened up unannounced inside one of the world's most famous department stores in August 2017. Situated on the third floor of Selfridges, London, surrounded by designer boutiques, this shop was run and staffed jointly by four religious charities invited by July: Islamic Relief, Jewish charity Norwood, London Buddhist Centre and Spitalfields Crypt Trust.
The story of Exodus is relocated to the seaside town Margate. Moses lives in the Promised Lands with his adoptive parents, until he finds his mother in the shanty town, Dreamland, where she’s been ghettoised with other ‘undesirables’. He takes on his father, Pharaoh, and leads a radical campaign to liberate the people of Dreamland.
Film follows a woman walking this very route. She stops, hesitates, runs. She waits, calculates and bends down. Every crossing is a new challenge and new calculation.
Ten Londoners and a dog. They dance together, steal together, eat together; agree and disagree, celebrate their differences and share their talents. They spark a debate about the world we live in, who has stolen what from whom, and how things might be fixed.
Filmed in the white working-class suburbs of Detroit, Spook House reveals a community reveling in the macabre. Front lawns are transformed into cemeteries, kitchens become mausoleums and dismembered ‘bodies’ are prepared for cannibal feasts. Cameron Jamie’s camera tracks the celebrants as the nights become longer and darker.
Intercuts dramatic photographic stills from the clashes in 1984 with footage of the clashes re-enacted in 2001, together with moving and powerful testimonies, to tease out the complexities of this bitter struggle.
Recording of the annual Christmas folklore street ritual Krampus in Austria, in which people dressed up as hairy monsters scare the wits out of the population. The accompanying metal soundtrack by The Melvins provides a curious American perspective.
