Apaches

Apaches 1977

6.30

On an English farm, six reckless children play at being a fierce band of Apache warriors, unaware of the many dangers to which they are exposed. (Public information short film produced on behalf of the British Government to warn children living in rural areas about the risks of playing near farm machinery.)

1977

A Modern Guide to Health

A Modern Guide to Health 1946

1

Modern advice and old-fashioned values combine in this postwar animated health guide from the makers of Animal Farm.

1946

The Sea in Their Blood

The Sea in Their Blood 1983

6.70

A film made for the Central Office of Information concerning Britain's coastline, with music by Michael Nyman.

1983

Opus

Opus 1967

5.00

Impressions of contemporary British arts and fashion. Summary of art through the ages taking in every thing from Mary Quant to the Marat/Sade production. Made for the Montreal "Expo '67" exhibition.

1967

Mining Review

Mining Review 1948

1

One of a series of newsreels made about mining

1948

Designing Women

Designing Women 1948

7.00

Part of BFI collection "Design for Today."

1948

Never Go with Strangers

Never Go with Strangers 1971

6.00

Never Go With Strangers was intended for children aged between seven and ten and its purpose was ‘to warn them of the dangers of accepting lifts or presents from strangers’. Due to potential distress government officials instructed that the film only be shown under ‘responsible adult supervision’, thus denying it a TV airing for many years.

1971

Sewing Machine

Sewing Machine 1973

6.50

While a mother busies herself with sewing, a clock counts down the last minute of her daughter’s life as we hear a chilling voiceover reminding us to keep watch over our children when they're near traffic.

1973

The People at No. 19

The People at No. 19 1949

4.50

Reported cases of sexually transmitted disease took a sharp rise during and after World War II, but as this film testifies, sexual license amongst soldiers on the frontline wasn't the sole cause. Back on the home front, for many women, like Joan from No. 19, loneliness or newfound independence acted as an incentive to extramarital promiscuity.

1949

What's In a Number

What's In a Number 1948

1

National insurance made amusing by the eccentric Richard Massingham.

1948

Britain Welcomes the President of India

Britain Welcomes the President of India 1963

1

An account of the state visit to Britain by the President of India, Dr. Sarvepalli Radhakrishnan, in June 1963. In London he accompanied the Queen on a State drive, visited the Commonwealth Institute, attended a Guildhall luncheon and visited the country.

1963

R.A.F.: First Line of Defence

R.A.F.: First Line of Defence 1949

1

First Line of Defence is a short cartoon recruitment film for the RAF created in 1949 by animation duo Halas and Batchelor. The story follows a trainee pilot dreaming about the history of flight.

1949

The Pacemakers: Glenda Jackson

The Pacemakers: Glenda Jackson 1971

1

Central Office of Information profile of actress, Glenda Jackson discussing her roles in Sunday, Bloody Sunday and Women in Love, as well as views on the profession.

1971

Searching

Searching 1974

7.00

A haunting fire prevention film about keeping matches out of the hands of children.

1974

The Royal Tour of the Caribbean

The Royal Tour of the Caribbean 1966

1

The Queen and the Duke of Edinburgh undertook an official visit to the region in February 1966, as documented in this film. The destinations on this month long excursion included: British Guiana; Trinidad and Tobago; Grenada; St. Vincent; Barbados; St. Lucia; Dominica; Montserrat; Antigua; St. Kitts-Nevis-Anguilla; Tortola (Virgin Islands); the Bahamas; Jamaica. This rich and detailed Technicolor travelogue was the only film authorised by the Palace. Strict instructions were given prior to the production being given the green light, most notably that the royals could only be filmed when ‘engaged in a public function’. Unlike the more relaxed footage or interviews you might see with the royals now the film is visually very official in tone.

1966