Società Anonima Ambrosio

Well-respected Pompeiian Glaucus performs an act of kindness by purchasing Nydia, a blind slave being mistreated by her owner. Nydia falls in love with her new master, but he only has eyes for Ione. Ione in turn is lusted after by Arbace, an Egyptian high priest of Isis. When Nydia beseeches Isis for help in capturing Glaucus' heart, Arbace gives her a "love" potion-- an elixir made to drive Glaucus mad, securing Ione for himself. Ultimately, Mount Vesuvius will end their lives and seal their fates in a terrible, glorious eruption.

Dame Eleonora Duse plays a poor woman who, incapable of raising and feed him, leaves her illegitimate son with foster parents. Before she leaves her boy, the woman gives to the child an amulet in order to protect him. The amulet will be the key to put him in connection with his old mother when the boy grows up.

Pompeii 79AD, mere days before the Vesuvian eruption. Glaucus and Jone are in love with each other. Arbaces, the Egyptian High Priest, is determined to conquer Jone. Glaucus purchases Nydia, the blind and long-suffering slave. Nydia falls in love with Glaucus and asks Arbaces for his help. He gives her a potion to make Glaucus fall in love with her-- In fact, a poison which will cause violent insanity.

A fantasy film about the knight Parsifal, who has to protect the Holy Grail from wizards.

Saturnino Farandola: Raised by monkeys, taken in by sailors, captain of a frigate. He sets off to chart unknown worlds with his loyal crew. Beneath the sea he encounters love in the person of Mysora the beautiful. On land he comes up against a mad wise man, a Machiavellian mandarin and bloodthirsty Apaches, but nothing will be able to stop his desire to explore.

Robinet, the lead in this Italian slapstick comedy, wants to be an aviator in the worst way, and this being an Italian slapstick, that's how he does it. Italian slapstick in this period was absolutely bone-breaking, so much so that it makes Keystone slapstick look like drawing-room comedy by contrast.

Roman emperor Nero is used to getting what he wants. He has grown tired of his wife Octavia, and has become infatuated with Poppea. He succeeds in making Poppea the new empress, but soon he faces opposition from an outraged populace. Informed of the danger of an imminent popular uprising, Nero orders to set fire to the city, which he watches from a terrace, rejoicing and playing his lyra.

The story of the meeting and falling in love of a man and a woman. The story is told by showing the characters from below the knees only. A man in smart shoes prepares to go out. His maid gives him his coat, he dusts off his shoes and leaves. As he leaves the building an elegant woman drops her purse. He returns it to her and follows her home.

Fricot finds his father asleep and takes advantage of the opportunity to pour down his parent's hack a handful of itching powder. The poor man's antics in attempting to relieve himself of his distress are ludicrous and finally result in incurring the wrath of his wife and her mother, who set upon him and beat him until exhausted. To his amazement he discovers that the blows have a salutary effect and he submits to the thrashing. When the women finally leave him alone he arises well pleased, as his affliction has been overcome.

Marcel Perez is, as you might guess from the title of this movie, a reporter. He's been assigned a new story: a general is in town to review the troops. Get an interview! The general does not wish to give an interview, so Perez has to resort to subterfuge. Good thing he's a comic and can raid the studio's wardrobe department for disguises.

The 1914 Italian version of William Shakespeare's Othello.

Robinet disguises himself as a woman to get away from his girlfriend’s husband, and discovers the unexpected pleasures of public drag amidst mobs of flirtatious men. (MoMA)

Robinet gets punched by a boxer in the ring and decides to challenge him for a match. To win, he needs to train as much as he can.

Early biopic of Dante. From the Cineteca Milano collection.

A man emerges from the bank with his wallet full. He drops it on the ground. A workman spots it and tries to give it back. Fearing he is about to be mugged, the first man flees, with the second pursuing.

A mother confronts Death as to why he has to take her young boy. And he shows her the future to explain why he need to be eliminated.

The model Fede loves the writer Arte, but he is enmeshed by the beautiful Femmina. Fede takes comfort in the Faun, a mythological creature who becomes animated from the stone sculpted by Arte. The love story with the Faun represents a return to a dreamt wildness impossible by now, for the modern man, to reach and maintain.

A melodrama about a female lion tamer who has an extramarital relationship with a distinguished gentleman, and then moves in with him. When she later comes to regret her actions, her husband has already died of sorrow.