Gérard Courant's "Filmed Diary" of December 14, 2011, produced in Dubai (United Arab Emirates). Between December 7 and 15, 2011, Gérard Courant was invited by the Dubai International Film Festival, in the United Arab Emirates. It was an opportunity for him to film many "Cinematons" of personalities from the Arab world and to continue his "Film Notebooks" from which he brought back 7 episodes.
A fake "Cinematon".
“Les Malheurs de Marc Allégret” shows the ravages of time on the rushes of the unfinished film “Les Corsaires” which Marc Allégret began filming in 1940 and which was interrupted by the Second World War. By isolating and slowing down the most damaged parts of the French filmmaker's film rushes, I managed to create an object with abstract shapes and, insidiously, give another life to a major artistic work. - Gérard Courant
I give a methodical account of my film work: the creation of new series (Lire, Trio, Avec Mariola), the shooting of a new feature film (Amours décolorées which will take ten years to edit) with Mariola San Martin.
Le Passeur immobile, which covers the year 1987, is a Booklet filmed stuck between The Days and the Nights (1986) and The Artifice and the Fake (1988). These Notebooks have been punctuating my activity as a filmmaker for about fifteen years. They are like a life parallel to my other films and film series (Cinema, Group Portrait, Read, etc.). They are also like a letter to the spectators.
The films of Marilyn Monroe, sped up by Gerard Courant.
A simple, modest and faithful record of some moments at the Lucca Film Festival in October 2010, with songs and speeches by Abel Ferrara: trace of the co-presence of two of the greatest contemporary filmmakers, dissident and true sons of Cesare Zavattini’s revolutionary spirit.
One of Courant's many "Carnets filmés", filmed on November 7, 2021 in the botanical garden of l'Arquebuse in Dijon. The film is a slow exploration of this space, created in 1833 and rich in around 3,500 species of botanical plants.
Every Good Friday, since 1980, I have filmed the reconstruction of the Stations of the Cross of the Passion of Christ in Burzet, in an isolated village in Ardèche, where the inhabitants, for seven centuries, have dressed up to celebrate and perpetuate this religious rite. . “Dis-nous ce que tu sais” is the report of the Good Friday ceremonial of the year 2023 in Burzet.
Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)
"Villagium" is a film made from a stationary one-and-a-half-hour shot, which shows the storm and the rain in the street, by the church in the village of Priay, Ain.
On the occasion of the 7th meetings of Digne, Pour un autre cinéma, organized by Pierre Queyrel and which presented a retrospective of Philippe Garrel's cinematographic work, this film is the sound recording of the discussion that the filmmaker made with the audience after the screening of his films Marie pour mémoire, Athanor, Voyage au jardin des morts and Le Bleu des origines.
"Lyon in 96 minutes" is, with a subjective camera and in a single sequence shot lasting one hour and 36 minutes, a stroll through the city of Lyon which begins on the Fourvière hill and its basilica and ends on the other Lyon hill, that of Croix-Rousse. Between these two summits, the film plunges into Old Lyon by taking the Chemin des Rosaires, the climb (in the direction of descent) of Chazeaux, crosses the Place Saint-Jean bordered by the cathedral of the same name which it visit, then runs along the Palais de Justice, the banks of the Saône which it crosses at the Feuillée bridge. The journey continues via rue d'Algérie, the famous Place des Terreaux with its town hall and the Palais Saint-Pierre, rue Puits Gaillot, the slopes of Croix-Rousse with its multitude of steps and staircases which lead us on the tray. The film ends on the esplanade of Boulevard de la Croix-Rousse and the Gros Caillou of ice house origin. - Gérard Courant
During a shoot with an Eagle K4 camera, a failure caused freeze-ups with abstract shapes.
