Pathé-Natan

What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Victor Berthier, a good man but also a very jealous one, killed his wife in a fit of jealousy. After serving a few years in a chain gang, he is released for good behavior. He feels very happy to be able to return to Paris and to meet Lise, his daughter, again. But, to his dismay, he finds that Lise, through the fault of André, her lover and pimp, has unwillingly committed a murder.

The life of disorderly soldiers in the barracks dealing with daily routines.

The young and patriotic student Demachy joins the French army in 1914 to defend his country. But he and his comrades soon experience the terrifying, endless trench war in Champagne, where more and more wooden crosses have to be erected for this cannon fodder.

An opera singer travelling with her company on a passenger ship encounters a mysterious young man who she falls in love with.

Philippe Lutcher, an anarchist, fires a shot at Clara Stuart, a famous stage and screen actress, but only wounds her. The star, through affectation and curiosity to know his motives, pleads in his favour at his trial, but he rebuffs her pity. After he has served 18 months in prison, they meet and fall in love.

A respected gangster, Justin, finds himself in a deadly feud with his rival, the unscrupulous Esposito. The latter plans to steal a cargo of opium bound for China and to have Justin killed.

The Last Billionaire is a 1934 French comedy film directed by René Clair and starring Max Dearly, Marthe Mellot and Renée Saint-Cyr. The film is based on a fictional small European kingdom which is on the verge of going broke. Its French title is Le dernier milliardaire.

During a transvestite ball, a young provincial meets Fanny Legrand. A great love is born between them. Later, the young man learns that Fanny was a great coquette. He leaves her, he comes back, he forgives. But when he embarks for America, Fanny does not follow him.

It is one thing to open a beauty salon (which Edwige and her young lover Gaston have just done) but it is another to keep it on its feet.To best promote their speciality, fountain-of-youth treatments, Edwige decides to apply to the letter the old slogan "It pays to advertise" by posing as... Gaston's mother, a sixty-year-old woman, miraculously grown younger.

During the First World War, before joining a squadron at the front in 1918, Herbillon (Jean-Pierre Aumont) has a liaison with Helene (Annabella), a married woman. The young man discovers that his mistress is none other than the wife of Maury (Charles Vanel), an aviator friend.

Tartarin is the local hero in the small provincial town of Tarascon. He shows off about imaginary adventures in Africa, where he has never been, as a Lion Hunter, which he is only in his imagination. Even though the locals know he has never been to Africa, they keep hoping he will leave one day. After a misunderstanding, and much gossip, everyone thinks that Tartarin plans to actually take the trip.

A more small scale version of the story Griffin used for his epic Orphans Of The Storm: a doctor tries to reunite two sisters who have become separated from each other during the whirlwind of the French Revolution.

The Yellow Cruise is a French documentary film initially directed by André Sauvage and taken over by Léon Poirier following the intervention of André Citroën. The film was presented in Paris in 1934. André Sauvage was hired by the Pathé-Natan company to follow the yellow cruise through Asia. In 1931 and 1932, forty-two men, including Pierre Teilhard de Chardin, scholars and doctors traveled thirty thousand kilometers on the Silk Road through the Middle and Far East, in caterpillar propellants. Together, despite the bad weather, the difficulties of the terrain, the mechanical failures and the political conflicts, they reached Beijing on February 12, 1932. André Citroën who asked to see the film, dissatisfied with the result, bought it from Bernard Natan and entrusted the editing by Léon Poirier, who had filmed La Croisière Noire in Africa in 1926. This film will mark the break in the film career of André Sauvage.

Hélène, married to Larsonnier, has developed a crush for Germont, her neighbor. One night, she is abducted and she discovers that her kidnapper is none other than Germont. But, to her dismay, he does not act out of love for her : his only motivation is money, which he proves by asking her husband a five-Million-franc ransom. After a long hesitation, Larsonnier finally pays the sum and Hélène returns to him. As for Germont, chased by the police, he goes on the loose... Some time later, Hélène is kidnapped one more time, and again by Germont! But this time around, this the elopement of her dreams.

Tourneur's first film tells the story of a chemist, Jules Renaudin. He welcomes a young pregnant girl, Claire, who enters his pharmacy in despair one evening. He takes care of her and gradually falls in love with her, doing everything for her. But she is attracted by the cheerfulness of young Jean Cordier, whose warehouse is a few steps away from the pharmacy.

This relatively straightforward dramatic biography was one of two films commissioned to honor Joan of Arc on the 500th anniversary of her death, but it was soon undeservedly relegated to obscurity in favor of Carl Dreyer's triumphant 'La Passion de Jeanne d'Arc'. The comparison is unfair: Dreyer was an artist, but director Marco de Gastyne certainly proved himself a distinguished craftsman, and his emphasis on the Maid of Orléans early life in Domrémy serves as a picturesque, matching bookend to Dreyer's impassioned courtroom drama.

Father-and-son lion tamers, Rabbas and Léo share a mistress - Rosita, the " lovely bitch " of the film's title. She is as wild as their lionesses and, in a single night the father is injured and the son attempts suicide. Only when Rosita leaves the circus can things get back to normal.

Escaping from a policeman who has caught h.im with a stolen dog, Toto (Albert Préjean), a petty crook, hides in the apartment of a typist, Ginette (Renée Saint-Cyr). The two quickly fall in love, and after a brief incarceration, Toto returns to her and schemes to have her win a beauty contest.