Svenska Biografteatern

Terje Vigen, a sailor, suffers the loss of his family through the inflexibility of another man. Years later, when his enemy's family finds itself dependent on his benevolence, Terje must decide whether to avenge himself.

Three Scottish officers, including Sir Archi, murder Sir Arne and his household for a coffin filled with gold. The only survivor is Elsalill, who moves to relatives in Marstrand. There she meets a charming young officer- Sir Archi- and she soon understands that he was one of the murderers.

A stranger comes to work at widow Halla's farm. Halla and the stranger fall in love, but when he is revealed as Eyvind, an escaped thief forced into crime by his family's starvation, they flee and become two of the many outlaws of Iceland's mountains.

After Ingeborg Holm's husband becomes sick and dies, the family's small grocery store fails, Ingeborg becomes bankrupt, and she is forced to move to the workhouse. Her three children go to foster homes. Ingeborg simply must see them again.

In a small provincial town there is a hotel run by one of those eccentric cooks of long ago who made generous meals that have nothing in common with the extravagant restaurateurs of nowadays and their meagre menus. The manager is named after Alexander the Great and in his restaurant the town bourgeoisie meet and discuss various issues, especially matters of the heart. Morals are part of the conversations and prove to be complicated issues even for strict and serious Nordics. 28 minutes of runtime are missing and presumed lost.

The son of a wealthy farmer loves a simple maid, for which he's booted out of the house by his father.

The story is that of a conniving countess coming between a gay sculptor, Claude Zoret, and his bisexual model and lover, Mikaël, ultimately leading to Zoret's death in a raging storm at the base of a statue of Mikaël as the mythological Icarus. The film is missing 19 minutes of run time.

A gardener's son has fallen in love with the daughter of one of the workers at the nursery, and the two are married. The gardener then kicks his progeny off the property and begins to act despicably toward his son's wife.

Helga is a young single lady who has a baby by a much older married man. After the older man tells Helga's father that he refuses to pay child support because he isn't the child's father, her father insists that Helga take him to court. On court day, just as the older married man is about to swear on the Bible that he is not the father of Helga's child, Helga suddenly tells the court that she's dropping the case because although the man did father her child, she doesn't want him to commit perjury, which is not only a serious crime but a mortal sin as well. Based on a 1913 novel by Selma Lagerlöf. It was the first in a series of successful Lagerlöf adaptions by Sjöström, made possible by a deal between Lagerlöf and A-B Svenska Biografteatern (later AB Svensk Filmindustri) to adapt at least one Lagerlöf novel each year. Lagerlöf had for many years denied any proposal to let her novels be adapted for film, but after seeing Sjöström's Terje Vigen she finally decided to give her allowance.

On a farm in up-country Sweden, an enigmatic stranger comes to a conservative peasant community and seduces a farmer's wife.

Gunnar Hede is raised by a strict mother, who wants him to become respectable to match his family’s wealth. He is more interested in his grandfather, who started as an itinerant violin player, but got rich by leading a herd of wild reindeer south to market. He falls for a violinist working with a married couple of traveling performers and renounces his fortune to go with them. He then tries to earn a fortune by driving reindeer to market, but it doesn’t work out and he goes insane. He is finally restored to sanity by the violinist when she returns with the performers.

Karin Daughter of Ingmar is a 1920 Swedish silent drama film directed by Victor Sjöström. It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception was however unenthusiastic and Sjöström decided to not direct any more parts.

Two brothers compete for the love of a woman while the impending war threatens to separate them from both sides of the border. Based on the novel "La Débâcle" by Émile Zola.

The mayor's son Mauritz Fristedt, has become deeply in love with the baker's daughter Dunungen. The mayor applauds the engagement because Mauritz will to try to foist a pack of worthless shares from his uncle to his father-in-law.

Two smugglers meet two customs officers at sea, and happen to kill them. The story continues fifteen years later when a son of one of the officers and a smuggler's daughter fall in love with each other.

Despite her youth, Princess Lara Rispala has managed to get her kingdom Leskapur to move towards a new heyday. But one day, a catastrophe occurs in her life. She loses the "Sun Mirror", the symbol of the dignity and security of the old royal family. Lara confides in the young European and engineer Rudolf Corvin, who has long been her confidant. Together they go to the fakir Rahu. The fakir has the ability to read out all the secrets of the universe in his well. He sees that the Sun Mirror has been stolen by the prince in the neighboring kingdom of Valpur.

Lovers are torn apart by a noble's desire for the female half of the couple.

A rich young man falls for a beautiful girl and meets with trouble. An adaptation of Hugo von Hofmannsthal's Das fremde Mädchen.

"The Black Masks", a secret political society, involves the beautiful agent Lydia to apprehend an important official document. Lieutenant von Muehlen is a trusted member of another secret society. He is on the same mission.

Part one of an ambitious screen adaptation of Selma Lagerlöf's book Jerusalem.