The New Yorker Studios

A prisoner in a state-of-the-art penitentiary begins to question the purpose of the emotion-controlling drugs he's testing for a pharmaceutical genius.

When Margot, a college sophomore, goes on a date with the older Robert, she finds that IRL Robert doesn’t live up to the Robert she has been flirting with over texts.

With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.

An intimate and existential exploration of how a father’s attempt to defy death affects his family’s lives.

When Zooey Zephyr was expelled from the Montana House of Representatives for speaking on a bill banning transgender medical care, she made a nearby bench her “office.” Director Kimberly Reed’s cameras land next to Zooey, capturing shocking, funny, and joyous events.

For the past forty years, Igor Pasternak has pursued a lighter-than-air vision: to build gigantic airships that haul cargo to otherwise inaccessible parts of the planet. In high school, in Ukraine, Pasternak formed an airship club; at Lviv National University, where he studied civil engineering, he established an airship-design bureau. Eventually, he settled in southern California and started Aeros, which builds blimps for surveillance and other purposes. His prototype cargo airship, the two-hundred-and-sixty-foot-long Dragon Dream, was destroyed in 2013 when its hangar collapsed on it. Unfazed, Pasternak now aims to produce a fleet of “Aeroscraft” cargo airships, the largest of which will be more than nine hundred feet long and able to carry five hundred tons. Pasternak spoke recently with the director and producer Gabe Polsky. Polsky’s documentary, “Red Army,” played at the 2014 Cannes, Telluride, Toronto, and New York Film Festivals, and was released in theatres in 2015.

Ken Bone became an overnight sensation after participating in a Clinton-Trump town hall in 2016, but the excitement of the moment came with some unexpected consequences.

A quiet take on a very noisy subject—the rise of hate and intolerance against the LGBTQIA+ community—as two young brothers observe and absorb their first Drag Story Hour. A refrain of “It’s okay” underscores their experience, and this simple utterance takes on a multitude of meanings in its repetition, from assurance to question, hope to fear.

On the verge of her 90th birthday, a grandmother reveals to her grandson the painful story of her sister's disappearance during the Holocaust and the survivor's guilt she carries.

Tells the story of a Bronx housing project’s floodlights, which some residents find oppressive.

A documentary short follows Matthew Ballard, an aging Brooklyn locksmith struggling to unlock a higher acceptance to the changes in his life and city.

A property dispute led to one family's displacement from their ancestral home. Today, their youngest daughter is left to pick up the pieces—all of them fitting within two storage units.

A group of Malian refugees trained themselves to battle relentless bushfires, protecting their camp, their livelihood, and Mauritanian locals in a short documentary by David Alexander.

Radical Love explores the subversive political activism and fierce love connection of Michael and Eleanora Kennedy, a husband-wife legal team who represented a who’s who of the politically subversive class in the 1960s and 70s. At the center of the story is their most notorious clients and closest friends, founding members of The Weather Underground Bernardine Dohrn and Bill Ayers. Now as a widow, Eleanora reflects on a marriage and life in the crosshairs of politic activism, government surveillance, and deep passion.

A woman operates a cemetery in Colombia for people who die, mostly Venezuelan migrants, without anyone to see their burial.

A family fights to stay together in the face of persecution by the Texas government for loving their transgender kid.

Mammoth Pictures has inked a deal out of Cannes with the Bulgarian production company Bazuka to exclusively develop and produce a narrative feature take on the cultural tradition spotlighted in Kukeri, their documentary short produced for The New Yorker.

On an unknown date in August 1966, trans women in San Francisco's Tenderloin district rioted against police violence at Gene Compton's Cafeteria. There was no news coverage, and the arrest records no longer exist. Decades later, historians Susan Stryker and Victor Silverman unearthed the history of the riot and interviewed the surviving “Compton’s queens.”

“'Public Defender' follows the work of Heather Shaner, a lawyer representing January 6th rioters, who works to confront America’s political divisions with empathy" (The New Yorker).

Living in downtown Toronto to attend school, Lina Li returns to the comfort of home in Thornhill and her mother's cooking. In this candid short, filmmaker Lina Li and her mother engage in an intimate conversation about immigration to Canada, misunderstandings, barriers to communicating, love and the taste of home.