A mistaken delivery in Mumbai's famously efficient lunchbox delivery system (Mumbai's Dabbawallahs) connects a young housewife to a stranger in the dusk of his life. They build a fantasy world together through notes in the lunchbox. Gradually, this fantasy threatens to overwhelm their reality.
The wife of a photojournalist sets out to discover why he came home from a recent assignment without his colleague.
Ayan, a pharmaceutical salesman in Pakistan, takes on the multinational health care corporation he works for after he realizes they knowingly marketed a baby formula that's responsible for the death of hundreds of babies everyday.
Three sisters share a connection to a violent incident from their childhood reunite to for the chance to come to terms with their past.
Bosnia and Herzegovina, 1991. After the fall of the communists, Divko Buntić, who has lived in exile in Germany for the past twenty years, returns to the village where he grew up, intent on reclaiming ownership of his family home, driving a swanky Mercedes and accompanied by his young bride; by Bonny, his lucky black cat; and with pockets full of money.
Senada is 31 and she lives in Poljice neighborhood in Lukavac municipality with her partner and two daughters. She is pregnant with her third child for approximately five months. Since she didn’t have health insurance, she does not go to the doctor’s. When she started bleeding, she goes to the hospital. The doctor told Senada that she needs an emergency surgery and she needs to pay 500 EUR. Without a health insurance card and without money, Senada returns home.
Centaur lives a modest life with his family in rural Kyrgyzstan until he abruptly becomes the center of attention when he is caught stealing a racehorse at night. A story inspired by the myth when horses became the wings of men.
This is the first film by Hänsel based entirely on her own script and gives a wise and loving significance to the concept of personal and anecdotal. With beautiful leading roles by Canto as mother and Gourmet as her ex. Together, they drive to a ski resort to fetch their son, a ski instructor with a broken leg.
At the beginning of the World War I, Filip, a Serbian school director in the Serbian province, has been asked to immediately go to Belgrade to get war schedule. His wife Lea, Slovene, with no one to leave because the two of them recently arrived in the small town and no one really knows them. Azem, an Albanian, school attendance, gives Filip a promise (Besa) to watch the Lea and that nothing will happen. Lea and Azem, are forced to live together in an abandoned school. Their relationship changes during the time.
The intersecting destinies of three people — a Moroccan-Iraqi writer searching for his brother, the lover whom he left behind, and a young orphan on the run — create an incisive and unsettling portrait of a land riven by violence and fundamentalism.
The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives. In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter.
