Australia 2017
Friday, 11 p.m. Carla, a woman in her forties, is alone in her office. She gets a call. It's Raúl, a young guy who sells cocaine. Tonight will be the last night that Raúl works as a dealer. He wants to change his life.
Friday, 11 p.m. Carla, a woman in her forties, is alone in her office. She gets a call. It's Raúl, a young guy who sells cocaine. Tonight will be the last night that Raúl works as a dealer. He wants to change his life.
Carla gets a call from the small town where she grew up in the South of Spain. Her father, who she hasn't spoken with in many years, is very ill. She refuses to face it and decides, against everyone's opinion, to take him to Barcelona, where she is convinced they'll be able to save him.
Josefina depicts Middle Age Juan's love angle, Juan was a prison guard and the lady he loved's son Sergio was a prisoner in prison, and he loses his job because of his love.
Victor and Ana are enjoying their holidays at an idyllic lake. After having a huge row, the girl walks away into the forest. When he decides to go and look for her, Victor finds out that a man, hidden behind the trees, is watching him.
A university professor who works with artificial intelligence linguistic models begins to suspect that her husband has created an android clone of their child. She feels compelled to help free the boy from the prison-like grasp.
At 78 years old, Manuela buys a camera and AR glasses.
An exploration of the concept of death through three minority communities, reflecting the phases of pre-mortem, mortem, and post-mortem. Reality and magical realism merge to depict the cultural acceptance of death in contrasting societies, revealing the collective imagination that upholds their funerary traditions and beliefs.