Sinag Maynila

Miguel is an abusive husband to Teresa, a former town-beauty queen. They have an eight-year old son, JR. Their small family lives with Miguel’s parents. The family is shattered by the vicious cycle of domestic abuse. After a night of beating, Teresa, goaded by a friend, seeks TPO (Temporary Protection Order) from the court. TPO is a legal remedy that a woman can avail of under Republic Act 9262 (Violence Against Women and Children Law) to protect her and her child against anyone harming them. Teresa is granted the TPO against Miguel. But in this legal tug-of-war of familial rights, their son ,JR, is ignored. Until, he shows aggression in school.But Miguel’s parents coax Miguel to file for Child Custody.

"Ninja Party" is a coming of age story of two teenage coeds who find themselves in a comprising situation when they get involved in secret debauchery.

The search for a missing watch instigates the painful quest for the truth in Belyn’s and her son’s life.

"Balut Country" follows the journey of Jun, an heir to the duck farm left to him by his late father. He must decide whether to sell the property to secure his future, or spare the land's loyal caretakers of inevitable displacement.

"Swap" takes us to the internal conflict of a young father, torn between solving a crime and committing another crime when one day his only son is kidnapped and the criminals demand him to steal another kid in exchange of his son's life.

A syndicate old-timer named Ben needs to do one last assignment before the boss he works for grants him his much delayed retirement. Assigned to be his partner is the neophyte Morris, a trigger-happy, sadist who yearns to impress the syndicate boss. For Ben, this last assignment turns out to be a journey of introspection, self-healing and redemption. With this awakening, he takes it upon himself to pull Morris out of the eventual hell-of-a-life he says he has lived as a hitman.

Three friends wait along Dalton Pass every dawn to jump at the back of rice delivery trucks to steal the goods and sell it at the wet market as their means of income. One of them accidentally gets a pack of drugs in one of the trucks they jumped and finds themselves in jeopardy when its owners track them down to retrieve the stash, and gives them a chance to get off the hook by means of taking on a risky mission.

Imbisibol essays the lives of four Filipino migrants in Japan – Linda, Benjie, Manuel and Rodel – who are toiling in a foreign land to give their families in the Philippines a better quality of life. The story revolves around the joys and struggles of Linda, a Filipina married to a Japanese salaryman who is torn between helping undocumented Filipinos stay in Japan by renting out rooms to them and succumbing to the demands of her husband to evict the Filipinos and save their marriage; Benjie, an undocumented worker who has been jumping from one odd job to another in the last 17 years and desires to go home already and be with his children; Manuel, an aging male entertainer who is struggling with his insecurities and his addiction to gambling; and Rodel, an idealistic newcomer who encounters a rising tension and rivalry with another Filipino at work.

70-year-old Virginia shares the old ancestral house with Delia, her ever-loyal maid. Delia is marrying her long-time boyfriend, Rene, and tearfully confides to Virginia that she wants to go home to her parents in the province to start a new family life with him. Haunted by a past that Virginia tries to conquer her only son Sonny Boy who disappeared years ago, what follows shows a portrait of a woman and a mother trying to juggle the sad realities of life in a cycle of life and death.

Jess is a young woman running from her past and moves into the house of a warmhearted landlady. She finds a diary in her room that belonged to an old tenant. As days pass, strange occurrences ensue and the diary’s words take an eerie turn when Jess finds herself in the middle of a malevolent turn of events from a dark past not entirely her own.