Intramovies

In a working-class area of Sweden, sisters Laura (16), Mira (12) and Steffi (7), get by on their own, left to their own devices by an absent mother. With summer on the way and no parents around, life is wild and carefree, vivacious and anarchic. But when social services call a meeting, Laura has to find someone to impersonate their mom, or the girls will be taken into foster care and separated. Laura keeps the threat a secret, so as not to worry her younger sisters. But as the moment of truth draws closer, new tensions arise, forcing the three sisters to negotiate the fine line between the euphoria of total freedom and the harsh realities of growing up.

Thirteen-year-old Giampiero is the teenage son of a decaying family. He gets to know Romana, a girl of his age, and they fall for each other. The trouble is that Romana lives in a Romani settlement set up near the block where he lives. Now, the coexistence between the travelers and the sedentary population is not without problems, so much so that violence winds up erupting. On the other hand, Romana's father is forced, to honor a gambling debt, to sell his daughter to a traveling merry go round owner. Giampiero, then decides to go in search of Romana and to elope her, as they had promised to each other...

Rami deals with his Jewish girlfriend’s opposition to abortion. His mother complicates things while seeking compensation for her daughter Fifi accident. Miri plans to terminate her sister’s pregnancy with Rami, who’s Arab. Fifi struggles to hide her non-virginity to save her family’s reputation.

Observes the mechanisms of construction and assimilation of gender in contemporary Italian society, through a kaleidoscopic mosaic of scenes of daily life: what are the choreographies of bodies, collective rituals, behaviors for each of the genres that condition our identities? Through paintings with a strong visual impact, Normal tells the story of normality making it alien to us, exploring the daily and collective staging of the male and female universe in which we all participate.

Christopher Clark was an eco-warrior, a remarkable Scotsman who created his own personal Outpost of progress in the heart of the Amazonian rainforest. It was the model for a utopian society based on the perfect balance between nature and technology, protected and run by the inhabitants of the forest. Unfortunately, the situation got worse year by year, and in the film, a new huge wildfire now threatens to destroy the Outpost. Chris takes a gamble and decides to pit an equally spectacular event against the destruction of the forest: a Pink Floyd concert inside the green inferno, as a way to convince the Brazilian government to set up a nature reserve. To a dreamer like him, anything is possible, and he may well be right: in a world careening towards the apocalypse, being a bit crazy is the only form of resistance there is. But can we really save the rainforest? We, the children of the same capitalist system that is destroying it?

Mehdia, an Ethiopian migrant domestic worker in Beirut, loves Ahmed, a Syrian refugee who struggles to survive dealing in second-hand metal scraps, while affected by a mysterious physical condition related to shrapnel wounds exposure during the war. Their love story seems to have no future, but since they have nothing, they can lose nothing. When the opportunity presents itself, they leave Beirut in a hopeful and desperate get-away while Ahmed’s physical condition gets worse and worse.

After being granted asylum in Germany, a renowned Arab author is not allowed to return home. Tired and embittered by his life in exile, Munir sets off in search of a place to kill himself. When he arrives on a remote island in the North Sea, Valeska, the kind older woman who takes him in, quickly realizes that he intends to commit suicide. Yet as the days go by, Munir finds himself drawn out of his depression by Valeska’s unexpected motherly care and the nature of the island, which reawaken his desires and inspire him to give life a second chance.