Kendon Films Ltd.

Powerful, uncompromising drama about two boys' struggle for survival in the nightmare world of Britain's notorious Borstal Reformatory.

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

Julien Temple's wartime documentary parody "Punk Can Take It" (1979) - a theatrically released promo for the UK Subs, complete with narration by BBC voice-over veteran John Snagge - paints a glorious picture of England in a punk rock "identity crisis". Punk morale was higher than ever before. Punks were fused together not by fear, but by a surging spirit of revenge, immortality, and the courage never to submit or yield. This proved that punk won't go away and that punks themselves are becoming younger and nastier everyday. They have no time for the precarious thrills of nostalgia nor for its trivial rules.

A complex and fascinating experimental exploration of time and identity, Anti-Clock is a film of authentic, startling originality. Brilliantly mixing film and video techniques, Arden and Bond's paranoid, psychological surveillance study of a career gambler turned clairvoyant unstuck in time captures onscreen the anxieties that have infiltrated the consciousness of so many in Western society.

In 1948, a new British governor takes over a Far Eastern colony after his predecessor is murdered by terrorists.

William McClusky (Sam Waterston) is a dashing and eccentric Scotsman whose charms rapidly overwhelm the sweet and naive Ann Walton (Jenny Agutter), but she nearly as quickly begins to comprehend that her new beau is anything but a one-woman man. In addition to his two ex-wives, with whom he remains remarkably close, William exhibits a disturbing attraction for nearly any female who crosses his path -- Ann's friends among them.