The Passion of Joan of Arc

The Passion of Joan of Arc 1928

8.01

A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.

1928

The Circus

The Circus 1928

7.98

Charlie, a wandering tramp, becomes a circus handyman - soon the star of the show - and falls in love with the circus owner's stepdaughter.

1928

The Wind

The Wind 1928

7.50

When Letty Mason relocates to West Texas, she finds herself unsettled by the ever-present wind and sand. Arriving at her new home at the ranch of her cousin, Beverly, she receives a surprisingly cold welcome from his wife, Cora. Soon tensions in the family and unwanted attention from a trio of suitors leave Letty increasingly disturbed.

1928

Steamboat Bill, Jr.

Steamboat Bill, Jr. 1928

7.60

The just-out-of-college, effete son of a no-nonsense steamboat captain comes to visit his father whom he's not seen since he was a child.

1928

Four Sons

Four Sons 1928

7.16

A family saga in which three of a Bavarian widow's sons go to war for Germany and the fourth goes to America, Germany's eventual opponent. Preserved by the Academy Film Archive in partnership with L'Imaginne Ritrovato and Twentieth Century Fox Film Corporation in 1999.

1928

The Cameraman

The Cameraman 1928

7.90

A photographer takes up newsreel shooting to impress a secretary.

1928

L'Argent

L'Argent 1928

6.71

Adapted from the novel L'Argent by Émile Zola, the film portrays the world of banking and the stock market in Paris in the 1920s.

1928

The Crowd

The Crowd 1928

7.59

John, an ambitious but undisciplined New York City office worker, meets and marries Mary. They start a family, struggle to cope with marital stress, financial setbacks, and tragedy, all while lost amid the anonymous, pitiless throngs of the big city.

1928

Noah's Ark

Noah's Ark 1928

6.10

The Biblical story of Noah and the Great Flood, with a parallel story of soldiers in the First World War.

1928

October (Ten Days that Shook the World)

October (Ten Days that Shook the World) 1928

6.84

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

1928

Speedy

Speedy 1928

7.30

Speedy loses his job as a soda jerk, then spends the day with his girl at Coney Island. He then becomes a cab driver and delivers Babe Ruth to Yankee Stadium, where he stays to see the game. When the railroad tries to run the last horse-drawn trolley (operated by his girl's grandfather) out of business, Speedy organizes the neighborhood old-timers to thwart their scheme.

1928

The Man Who Laughs

The Man Who Laughs 1928

7.33

Gwynplaine, son of Lord Clancharlie, has a permanent smile carved on his face by the King, in revenge for Gwynplaine's father's treachery. Gwynplaine is adopted by a travelling showman and becomes a popular idol. He falls in love with the blind Dea. The king dies, and his evil jester tries to destroy or corrupt Gwynplaine.

1928

The Terror

The Terror 1928

6.00

Guests at an old English manor house are stalked by a mysterious killer known only as "The Terror".

1928

The Mysterious Lady

The Mysterious Lady 1928

7.40

A beautiful Russian spy seduces an Austrian military officer in order to obtain secret plans. When she falls in love with him, both are placed in danger.

1928

Steamboat Willie

Steamboat Willie 1928

7.30

Mickey Mouse, piloting a steamboat, delights his passenger, Minnie, by making musical instruments out of the menagerie on deck.

1928

4 Devils

4 Devils 1928

7.00

The circus provides the backdrop for this melodrama that chronicles the lives of four children raised within the big top. Film historian and collector William K. Everson stated that the only surviving print was lost by actress Mary Duncan who had borrowed it from Fox Studios. In the December 1974 issue of "Films in Review," he explained that Mary Duncan, one of the film's stars, wanted it to show to a group of friends in Florida. The star was aware that it was a dangerous nitrate print and assumed that Fox had others. She threw the only copy in the ocean, a mistake characterized by Everson as "a monumental blunder to rank with Balaclava, Sarajevo, and the Fall of Babylon as one of history's blackest moments."

1928

The Cossacks

The Cossacks 1928

7.30

Stirring romance, hard riding, desperate fighting with the Cossacks playing their game of war and chivalry. A mighty picturization of Count Leo Tolstoi's famous novel of the same name.

1928

The Life and Death of 9413, a Hollywood Extra

The Life and Death of 9413, a Hollywood Extra 1928

6.40

This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized. He is identified by the number 9413 written on his forehead.

1928

The Docks of New York

The Docks of New York 1928

7.00

A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.

1928

The Seashell and the Clergyman

The Seashell and the Clergyman 1928

6.68

Obsessed with a general's wife, a clergyman has strange visions of death and lust, struggling against his own eroticism.

1928