Hrvatski Audiovizualni Centar

Zeynap Altin is at the end of her tether: she works far too much and is not valued at all by her husband, daughter and father. To make matters worse, the funeral home dressed her beloved late mother in a man's suit instead of her favorite dress. Enough is enough: Zeynep flees from Munich to the previously unknown holiday home on a Croatian island that her mother secretly bought years ago - with the hope of finding quiet, peace and herself there. If only the previous owner Josip, a rough islander, didn't still live on the same property and annoy her with his views and wisdom.

In Stip, a small town in Macedonia, every January the local priest throws a wooden cross into the river and hundreds of men dive after it. Good fortune and prosperity are guaranteed to the man who retrieves it. This time, Petrunya dives into the water on a whim and manages to grab the cross before the others. Her competitors are furious - how dare a woman take part in their ritual? All hell breaks loose, but Petrunya holds her ground. She won her cross and will not give it up.

Marijana's life revolves around her family, whether she likes it or not. They live on top of one another in a tiny apartment, driving one another crazy. Then her controlling father has a stroke and is left completely bedridden, and Marijana takes his place as head of the clan. Soon, she is working two jobs to keep everything afloat, while her mother and disabled brother do their best to scupper the ship. Driven to the edge, Marijana finds comfort in seedy sex with random strangers; and this taste of freedom leaves her wanting more. But now that she has finally found freedom, what's she meant to do with it?

A young and successful copywriter Alan Despot, after trying in vain to renew a broken relationship with his girlfriend, goes to the island of Vis and finds himself torn between his eccentric father, another ex-girlfriend and her fiancé. New situations and circumstances help Alan to view his own life from a new perspective.

A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.

An intimate portrait of the family of Jure Šterk, the first Slovenian to sail the globe alone.

While helping his father with the family business, a disgruntled teenage boy is stuck on a small boat with an older tourist. As the boy anxiously waits for his father to return with the daily catch, the tourist starts making lewd suggestions.

Three friends, Jelena, Ana and Zorka meat three days before 20-year's high school reunion. Ana lives in a neighboring country, she's a biochemist and she has diagnosed (correctly) herself with breast cancer. Fuki their best male friend, never moved from their hometown, lives with his high-spirited grandmother, and occasionally gets involved with dubious people and business schemes. Each of the ladies used to be in love with Fuki at some point in their lives, but after all, they remained best friends. In three days, they all have a great challenge: to help Ana find the money for the operation. They will have to go through serious soul-searching, in order to find courage and strength to bring out the best and most noble in them. Breasts define all of them, not only as a metaphor.

Ankica is the proud owner of a legitimate massage salon, which she runs with her best friend Ljilja. She dreams of keeping her out-of-work husband and adult daughter in comfort while helping Ljilja pay for her son's recurring rehab programs. But in reality, Ankica’s debts are mounting, and she refuses to add happy endings (sexual favors) at the salon to increase revenues. When a loan shark threatens to take her apartment if she does not repay her debt, in desperation, she turns to crime.

Manivald is a fox in his early 30s. He is still living at home with his mother. One day a young hot wolf called Toomas comes to fix the washing machine. A love triangle develops between the three of them. Things get out of hand and Manivald realizes that it is time to move out.

A low-level criminal, leading a double life as a cleaner, finds himself trapped between a dangerous arms dealer and the town's chief of police.

Cities I Haven’t Been To is an abstract travelogue that traces the skylines of unknown metropolises, taking the viewer on a virtual journey from Dubai to Dhaka and beyond. Unlike tourist postcards, these mental images stem from the filmmaker’s own memories and prejudices, coming to life in dreamlike flashes of abstract figures.

There's no place like home. As long as you know where your heart is.

Turkish soap operas have taken the world by storm, conquering the hearts of millions of viewers in the Middle East, North Africa, the Balkans and Asia. With unprecedented access to the industry’s most glamorous actors and creative talent, Kismet unravels the secrets of this phenomenal success that transcends religion and culture. From the lavish production sets of the most popular Turkish soap operas, the film travels to streets and homes in Cairo, Abu Dhabi, Istanbul, Athens, Sofia and Mostar, to discover how these taboo-breaking soaps are helping women across the region to claim their rights and transform their lives.

Sex chat-line operators realize that their messages could destroy the life of an unknown client who fell in love with an imaginary woman.

Two girls meeting at a porn audition, getting infatuated by one another and going through a journey in one day and one night followed by one dominant male figure, whose face we never see, but who plays as the force that separates them. It is a film about friendship and a metaphor for power and dominance that gets in the way of woman who could connect more strongly otherwise. Other than carrying that message, the movie has dark humor, a flashy and at moments uncomfortable atmosphere and a distinctive East European girl aesthetic.

Branimir is an anxious young man who works as a theater ticket taker. When he witnesses an act he should not have seen, he nervously starts to grind his teeth. Suddenly and bloodily, something stirs in him and Branimir frantically tries to push it back.

Under the burning sun, beachgoers are trying to take advantage of every minute of their paid trip to a desolate beach. Among them are a mother with her grown son, two ladies and their dog, a passive-aggressive married couple, loud Italians, happy Hungarians, and an overweight, possibly dead, German lady.

In a dead and void dystopian world, there is a place where no one exists anymore, and everyone is just their own hallucination on the verge of disappearing.

Here There gives graphic form to memory’s malleable, straying lines. It begins as a traveler’s sketchbook, drawn in Croatia in the summer of 2014, but details soon fade away into abstract impressions on the edges of memory. This film is a reduction to the essence, a condensed feeling of one place and time.