Nurdin is a man who failed to protect friendship and love, who retreated before deceit and hypocrisy. The benevolent viewer is personified by the Old Man, a character who seems to stand outside the plot. Nurdin tells the Old Man about his life.
Based on the play of the same name by Sergei Naydenov.
It consists of Konstantin Georgievich Paustovsky's three short stories about the origin of feelings, the expectation of happiness and love...
A touching story about the friendship of guys who help two lonely old people meet after almost half a century of separation.
Follows the persistent, but not always noticeable battle for the moral foundations of the individual, for the future of young people.
Journalist Mitchell Brown meets a tipsy woman at a bar and takes her to his house to spend the night because she is very drunk and cannot control herself. He looks for her documents, but finds only a checkbook with a strange number. The next morning the stranger disappears. Some time later, in the same bar, Mitchell meets her again in the company of a man who turns out to be her husband. She pretends not to recognize Mitchell. It turns out that there was a murder in the city that evening and she needs an alibi.
On the legal and moral education of youth.
Several major robberies take place in Leningrad and the region, but the criminal leaves no trace. The Inurkollegia announces that the administrator of the boarding house "Otdykh" Balyasin unexpectedly receives a large sum of money as an inheritance, and the police decide to set a trap for the criminal, believing that he will not pass by such money. An employee of the Criminal Investigation Department arrives at the boarding house, and it soon becomes clear that the elusive criminal is one of the vacationers at the boarding house.
Christiane de Ravenel and her husband, William Andermath were attracted by the owners of spa resort at Mont-Oriol by offering luxurious amenities and promising health benefits. However, the plans face numerous challenges, including financial difficulties and personal conflicts.
Chronicle dramatic scenes of Germany under the rule of fascism.
Young graduate student Anna Ivankevich arrives in her native village, where she has not been for about 20 years. Here, in the rural silence of her aunt’s house, she is going to write her dissertation. Suddenly, two strange strangers unexpectedly appear in the house, whom Anna initially mistakes for thieves. They claim that the owner of this house yesterday rented it to them for two weeks, and for greater persuasiveness they hand over a letter in which Anya’s mother confirms this and also asks her to live with their neighbor, grandfather Gennady. This all looks very strange... And then the fantasy begins - it soon turns out that they are guests from the future, and chose this house as an intermediate station.
The TV play based on the fairy tale of the same name by Samuel Marshak.
The teleplay was based on V. Mayakovsky’s poems “You!”, “Listen!”, “Conversation with Comrade Lenin” and other works of the poet.
In "Dead Souls" Gogol posed the most pressing and painful questions of modern life. The very title of the poem had enormous revealing power; it carried, according to Herzen, “something terrifying”, “he could not name it otherwise; not the revisionists - dead souls, but all these Nozdryovs. Manilovs and all those like them are dead souls, and we meet them at every step..."
Colonel Chabert, who miraculously survived the battle, returns to his homeland after several years of wandering, but everyone has long considered him dead. It seems very problematic to prove the opposite - the wife got married again and sharing her fortune is not part of her plans...
The film takes place between two revolutions - 1905 and 1917. There is no agreement in the family of the Kolomiytsev brothers, bankrupt nobles. The elder brother Yakov is mortally ill. The youngest, Ivan, a gendarme colonel, is completely confused and does not know how to get out of the situation created in the family.
