Splendor

Splendor 1961

7.50

It tells the story of a slave rebellion on a sugar plantation in the days leading up to the official abolition of slavery on the island on March 22, 1873.

1961

La noche de don Manuel

La noche de don Manuel 1963

1

A generational conflict is reflected in the old-fashioned ideas of the landowner, who imposes himself as a dominant figure in the political activity of the rural communities of Puerto Rico.

1963

Fragmento

Fragmento 1970

1

The effects of emotional neglect on an only child.

1970

Intolerance

Intolerance 1959

1

A melodramatic romance that tells the story of a community that shuns the arrival of a new neighbor.

1959

Pueblito de Santiago

Pueblito de Santiago 1970

1

Adapted from Mexico's "The Forgotten Village". It deals with the fight that develops from the superstitious and ignorant interpretation of a problem and its real, scientific solution.

1970

Modesta

Modesta 1956

5.00

Prize winner, Venice Festival 1956. The DivEdCo’s most important attempt to depict women’s rights in the context of modernization processes in Puerto Rico. Modesta leads a group of women in Barrio Sonadora, Guaynabo, in a strike against their husbands to demand their rights in a domestic context.

1956

Los peloteros

Los peloteros 1951

6.00

A group of kids in a poverty-stricken Puerto Rican rural town need money to purchase baseball uniforms for little league.

1951

The One with White Shanks

The One with White Shanks 1955

1

The blacklisted American documentarian Willard Van Dyke filmed this tale about tobacco workers in the heart of the Puerto Rican countryside. Heeding their wives’ advice, individuals join forces in a cooperative so they can sell their crop of tobacco leaves at fair market value.

1955

A Day in the Life

A Day in the Life 1993

1

This film did not make it past the editing process in 1953. It was released four decades later in 1993. Although specialists do not agree on the reason, it's likely that the movie's bitter tone and deviation from the dominant, uplifting DivEdCo narrative were the main reasons. Notable for its portrayal of "El Fanguito," a San Juan urban slum, and of country-city emigration at the dawn of Operation Bootstrap.

1993

The Awaited Man

The Awaited Man 1964

1

A historic adaptation of the life of José Pablo Morales who fought against an exploitative system of payment to day laborers during the reign of the Spanish governor General Juan de la Pezuela in mid nineteenth century Puerto Rico.

1964

El puente

El puente 1951

5.00

The efforts of a community to build a bridge which would allow their children to go school during the rainy season.

1951

El secreto

El secreto 1958

1

Illustrates the dilemma of a sugarcane worker who has a child out of wedlock without his wife’s knowledge.

1958

When Fathers Forget

When Fathers Forget 1957

1

A family relationship drama about a strict father who wants to control his son, who in turn leaves his father's house and moves to the city.

1957

La plena

La plena 1966

1

One of the DivEdCo's films that best depicts the history and evolution of another genre of popular music from the coasts and of African origin: the plena. It presents sequences of interpreters of those rhythms in Ponce, in the dances of the coastal areas, and the fusion of popular and refined genres in presentations by Ballets de San Juan of the ballet-plena by Amaury Veray, "Cuando las mujeres" ("When the Women").

1966

La tuna de Comerío

La tuna de Comerío 1964

1

Short musical film in which young Puerto Ricans of the Tuna of Comerío interpret melodies of the Christmas folklore of Puerto Rico.

1964

Brainless John

Brainless John 1959

5.20

A man believes all the advertising he hears.

1959

La guardarraya

La guardarraya 1964

1

The location of the dividing line between two farms causes friction between two families.

1964

Chela

Chela 1965

1

It presents the problem of physically disability through a young crippled and the attitudes of the community towards them.

1965

The Jug

The Jug 1964

1

A cautionary film about what were thought to be rural superstitions and practices in Puerto Rico.

1964