A Touch of Sin 2013
Four independent stories set in modern China about random acts of violence.
Four independent stories set in modern China about random acts of violence.
Years after her boyfriend left her for the big city and promised to bring her there after he’s settled down, a Chinese woman sets out on a journey to be reunited with him.
Set in China's underworld, this tale of love and betrayal follows a dancer who fired a gun to protect her mobster boyfriend during a fight. On release from prison 5 years later, she sets out to find him.
The life of Tao, and those close to her, is explored in three different time periods: 1999, 2014, and 2025.
One morning, Jessica Holland, a Scottish orchid farmer visiting her sister in Bogotá, is woken by a loud ‘bang’. This haunting sound dispels her sleep for days, calling into question her identity and guiding her from recording studios to secluded jungle villages in an attempt to find its source.
A town in Fengjie county is gradually being demolished and flooded to make way for the Three Gorges Dam. A man and woman visit the town to locate their estranged spouses, and become witness to the societal changes.
At Beijing World Park, a bizarre cross-pollination of Las Vegas and Epcot Center where visitors can interact with famous international monuments without ever leaving the city’s suburbs, a security guard betrays his dancer girlfriend by pursuing another woman.
As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.
Focuses on the people, their stories and architecture spanning from the mid-1800s, when Shanghai was opened as a trading port, to the present day.
SAMNANG, 20, faces the demolition of his lifelong home in Phnom Penh and the pressures from family, friends, and neighbors which arise and intersect in this moment of sudden change.
An old Chinese woman visits Japan to find her missing daughter whom she adopted in post-WWII China. Her granddaughter and a retired Japanese policeman join her search.
Filmmaker Jia Zhangke chronicles his local literature festival in Shanxi, China which includes a multi-generational roster of the country's most esteemed writers.
Yuda, a Chinese immigrant, and his adopted son Kirin, who he saved being eaten by a tiger in the jungle, stand at the head of a massive pirated goods operation that brings in both money and influence. But their empire is crumbling, as corrupt politicians and rival gangs seek to end their power in the city. Yuda is soon got arrested and his dedicated son tries his best to save not just the family business, but his father's reputation.
When gold medal lawyer Hu Gongping was having a secret meeting with his lover She Xiaoman, a body suddenly fell from the sky in the room. Hu Gongping called for help from his assistant Zhu Shiqi, but he didn't want to panic and blurt out several lies, causing a series of chaos! With the emergence of various "family members" such as Xiong Dali, Lin Luanfeng, and Shi Shi, the situation continues to escalate. As the matter is about to be exposed, how will this hilarious "accident" end?
Observations of three varied corners of China’s garment industry: workers in a large-scale production line factory; a designer who rallies against the mass-machine-production of clothes and has created the eponymous hand-made collection called ‘Useless’ (Wuyong) for Paris Fashion Week; and finally the simple life of increasingly out-of-work tailors in small town Fengdang.
A hare is let loose in the forest, a dog gives chase and the boy tears after them, his father in tentative pursuit. Minutes pass, the forest falls silent, and when the boy re-enters the frame, something has changed: he now speaks with the voice of his dead mother. Mingchung shows little surprise at Xiuying’s return, he even asks why she didn’t come earlier. She says she’ll leave again once she’s completed one simple task, to replant the tree that stands before their now abandoned home.
Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.
Throughout ten years of a key era in Chinese and Hong Kong history, a girl becomes fixated on a fellow commuter who she observes regularly. While the two never speak to one another, the girl captures her appearance and life changes during the years through various means such as photos and drawings.
A filmmaker is constantly on the move after recently ending a relationship. As she travels alone between Beijing, Nanjing, Hong Kong and Japan, she observes and engages with her ever-changing environs while seeking an inner calm.
The film uses a documentary approach to tell the stories of 12 Chinese pioneers, chosen from the fields of business and the arts. The protagonists reflect upon their life journeys against the backdrop of modern China.