Mecenazgo Cultural

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.

David, a young middle-class Jewish boy, overweight, homosexual and afraid of flying, returns to Buenos Aires from Europe when his uncle dies. During his time there, David learns that his mother has decided to disconnect his father from the ventilator.

A woman finds new meaning in her life after her housekeeper quits her job.

Flora Schvartzman is a ninety year-old single woman who has wanted to die since the day she was born. Distanced from her family, she gets in touch with them to organize her own death. Iair, her great-nephew, is the first one to take an interest in her and her heirless apartment.

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

Dealing with a series of increasingly absurd situations and relationships, recently separated yoga instructors Gustavo and Vanesa are finding it difficult to live apart. Their challenges include meddling mothers, amnesiac students, and burgeoning romances. Step by step, they find their way back to the practice.

Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

While her girlfriend is in the hospital in a coma state after find her floating in the bathtub without vital signs, Clara stars on a path of physical and psychological transformation, with the goal of possessing her in some way.

A journey through the conflicting relationship between a man, his social environment and codes.

Jesús López, a young racing driver, dies accidentally leaving his town in astonishment. His cousin Abel, a drifting teenager, gradually feels tempted to take his place in life.

Is this film about Clorindo Testa or not? Is it about the life of the director, about the life of his father, about the life of his country, or is it just one of those biographical films that proliferate at film festivals in which the narrator spends his time recounting family anecdotes and pulling old photos out of a box? This small, microscopic adventure, whose subtitle, stolen from the Savoyard Xavier de Maistre, could well be Voyage autour de mon père, navigates between these threats and others even worse.

Juan and Ismael are great friends, they work in a corralón in Moreno. Riding the truck they go through the winter and live with the harshness of work, they do it with humor, sometimes helped by alcohol. Friendship is a difficult wall to break between them. Juan, drives the truck and lives surrounded by dogs, Ismael, loads the truck and dreams of having money.

Cecilia is too afraid one night to let her housekeeper's son into the house. The next day his dead body is found.

It is an approach to the figure of Fernando Martín Peña, but it is also a film about cinema, about a transcendental movement in its history, its spaces and rituals.

Three brothers wander for hours in an abandoned factory devoured by nature. They try to get to Luján to ask the Virgin for the health of their sick father. The siblings haven't been together for a while. Their attempts to unite the family seem like an impossible chimera: the past emerges, again and again, like an embedded stinger.

There is a monster in Lake Nahuel Huapi. At twilight, it spreads across the surface of the water like a taut cowhide, grabbing its victims with sharp claws. Another monster also lurks around the lake, near Bariloche, in the Argentine Andes.

In 1969 Argentine filmmaker Hugo Santiago directed Invasión, his opera prima, written by Jorge Luis Borges and Adolfo Bioy Casares, and later settled in France. This film documents his return to Buenos Aires in 2013 to shoot his latest film, Le ciel du centaure.


A documentary about the fans of "Waiting for the Carriage", the Argentine film classic directed by Alejandro Doria, and which investigates the obvious and hidden reasons for this phenomenon.